List of Illustrations Acknowledgments Introduction: Photographs as Rupture and Affect in German Film Carrie Collenberg-González and Martin P. Sheehan Chapter 1. Layers of Exposure: The Photographic Approach in Gerhart Lamprecht's Zille Film Slums of Berlin (1925) Jason Doerre Chapter 2. Objecting Objects: Photographs and Subjectivity in The Blue Angel (1930) Martin P. Sheehan Chapter 3. Before- and Afterlives: On the Stillness of Photographs at the Outset of Adenauer Cinema John E. Davidson Chapter 4. Filming After Walker Evans: Wim Wenders' "American Pictures" in Kings of the Road (1976) Stefanie Harris Chapter 5.
The Transgression of Overpainting: Jürgen Böttcher's Radical Experiments with Intermediality in Transformations (1981) Matthew Bauman Chapter 6. The Promise of Agency: Photographs and Value in Tattoo (2002) Cynthia Porter Chapter 7. Curating the Image: Visual Intertextuality in The Baader Meinhof Complex (2008) Reinhard Zachau Chapter 8. Re-presenting German Heritage Films: Photographic Memory in Aimee & Jaguar (1999), Good Bye, Lenin! (2003), and Almanya-Welcome to Germany (2011) Carrie Collenberg-González Chapter 9. Imaging the "Good Life": Destabilizing Subjecthood and Conceptions of the Normative Family in Ghosts (2005) Simone Pfleger Chapter 10. Violence, Death, and Photographs: Capturing the (Un)Dead in Rammbock (2010) Melissa Etzler Chapter 11. Possible Archives: Encountering a Surveillance Photo in Karl Marx City (2016) Anke Pinkert Afterword: Toward a Camera Ludica: Agency and Photography in Videogame Ecologies Curtis L. Maughan Index.