1. I was walking into the forest with my grandmother one morning. It was so beautiful and peaceful. I was only four years old, a tiny little one. And I saw something very strange--a straight line across the road. I was so curious that I went over to it; I just wanted to touch it. Then my grandmother screamed, so loud. I remember it so strongly.
It was a huge snake. That was the first moment in my life that I really felt fear--but I had no idea what I should be afraid of. Actually, it was my grandmother''s voice that frightened me. And then the snake slithered away, fast. It is incredible how fear is built into you, by your parents and others surrounding you. You''re so innocent in the beginning; you don''t know. I come from a dark place. Postwar Yugoslavia, the mid-1940s to the mid-''70s.
A Communist dictatorship, Marshal Tito in charge. Perpetual shortages of everything, drabness everywhere. There is something about Communism and socialism--it''s a kind of aesthetic based on pure ugliness. The Belgrade of my childhood didn''t even have the monumentalism of Red Square in Moscow. Everything was somehow secondhand. As though the leaders had looked through the lens of someone else''s Communism and built something less good and less functional and more fucked-up. I always remember the communal spaces--they would be painted this dirty green color, and there were these naked bulbs that gave off a gray light that kind of shadowed the eyes. The combination of the light and the color of the walls made everyone''s skin yellowish-greenish, like they were liver-sick.
Whatever you did, there would be a feeling of oppression, and a little bit of depression. Whole families lived in these massive, ugly apartment blocks. Young people could never get an apartment for themselves, so every flat would contain several generations--the grandmother and grandfather, the newlywed couple, and then their children. It created unavoidable complications, all these families jammed into very small places. The young couples had to go to the park or the cinema to have sex. And forget about ever trying to buy anything new or nice. A joke from Communist times: A guy retires, and for having been such an exceptional worker, he is awarded, instead of a watch, a new car, and they tell him at the office he''s very lucky--he''ll get his car on such and such a date, in twenty years. "Morning or afternoon?" the guy asks.
"What do you care?" the official asks him. "I have the plumber coming the same day," the guy says. My family didn''t have to endure all this. My parents were war heroes--they fought against the Nazis with the Yugoslav partisans, Communists led by Tito--and so after the war they became important members of the Party, with important jobs. My father was appointed to Marshal Tito''s elite guard; my mother directed an institute that supervised historic monuments and acquired artwork for public buildings. She was also the director of the Museum of Art and Revolution. Because of this, we had many privileges. We lived in a big apartment in the center of Belgrade--Makedonska Street, number 32.
A large, old-fashioned 1920s building, with elegant ironwork and glass, like an apartment building in Paris. We had a whole floor, eight rooms for four people--my parents, my younger brother, and me--which was unheard of in those days. Four bedrooms, a dining room, a huge salon (our name for the living room), a kitchen, two bathrooms, and a maid''s room. The salon had shelves full of books, a black grand piano, and paintings all over the walls. Because my mother was the director of the Museum of the Revolution, she could go to painters'' studios and buy their canvases--paintings influenced by Cézanne and Bonnard and Vuillard, also many abstract works. When I was young, I thought our flat was the height of luxury. Later I discovered it had once belonged to wealthy Jews, and had been confiscated during the Nazi occupation. Later I also realized the paintings my mother put in our apartment were not very good.
Looking back, I think--for these and other reasons--our home was really a horrible place. My mother, Danica, and my father, Vojin--known as Vojo--had a great romance during World War II. An amazing story--she was beautiful, he was handsome, and each saved the other''s life. My mother was a major in the army, and she commanded a squad on the front lines that was responsible for finding wounded partisans and bringing them to safety. But once during a German advance she came down with typhus, and was lying unconscious among the badly wounded, with a high fever and completely covered by a blanket. She could have easily died there if my father hadn''t been such a lover of women. But when he saw her long hair sticking out from under the blanket, he simply had to lift it to take a look. And when he saw how beautiful she was, he carried her to safety in a nearby village, where the peasants nursed her back to health.
Six months later, she was back on the front lines, helping to bring injured soldiers back to the hospital. There she instantly recognized one of the badly wounded as the man who had rescued her. My father was just lying there, bleeding to death--there was no blood available for transfusions. But my mother discovered that she had the same blood type, and gave him her blood and saved his life. Like a fairy tale. Then the war divided them once more. But they found each other again, and when the war was over, they married. I was born the following year--November 30, 1946.
The night before I was born, my mother dreamed she gave birth to a giant snake. The next day, while she was leading a Party meeting, her water broke. She refused to interrupt the meeting until it was over: only then would she go to the hospital. I was born prematurely--the birth was very difficult for my mother. The placenta didn''t come out completely; she developed sepsis. Again she almost died; she had to stay in the hospital for almost a year. For a while after that, it was hard for her to continue working, or to raise me. At first, the maid took care of me.
I was in poor health and not eating well--I was just skin and bones. The maid had a son, the same age as me, to whom she fed all the food I couldn''t eat; the boy became big and fat. When my grandmother Milica, my mother''s mother, came to visit and saw how thin I was, she was horrified. She immediately took me home to live with her, and there I stayed for six years, until my brother was born. My parents only came to visit me on weekends. To me they were two strange people, showing up once a week and bringing me presents I didn''t like. They say that when I was small, I didn''t like to walk. My grandmother would put me in a chair at the kitchen table while she went to the market, and I would be there in the same place when she came back.
I don''t know why I refused to walk, but I think it may have had something to do with being passed around from person to person. I felt displaced and I probably thought that if I walked, it meant I would have to go away again somewhere. My parents'' marriage was in trouble almost immediately, probably even before I was born. Their amazing love story and their good looks had brought them together--sex had brought them together--but so many things drove them apart. My mother came from a rich family and was an intellectual; she studied in Switzerland. I remember my grandmother saying that when my mother left home to join the partisans, she left behind sixty pairs of shoes, taking only one pair of old peasant shoes with her. My father''s family was poor, but they were great warriors. His father had been a decorated major in the army.
My father had been imprisoned, even before the war, for having Communist ideas. For my mother, Communism was an abstract idea, something she''d learned about at school in Switzerland while studying Marx and Engels. For her, becoming a partisan was an idealistic choice, even a fashionable one. But for my father, it was the only way, because he came from a poor family, and a family of warriors. He was the real Communist. Communism, he believed, was a way through which the class system could be changed. My mother loved to go to the ballet, the opera, to classical music concerts. My father loved roasting suckling pigs in the kitchen and drinking with his old partisan pals.
So they had almost nothing in common, and that led to a very unhappy marriage. They fought all the time. And then there was my father''s love of women, the thing that had drawn him to my mother in the first place. From the beginning of their marriage, my father was constantly unfaithful. My mother of course hated it, and soon she came to hate him. Naturally I didn''t know about any of this at first, while I was living with my grandmother. But when I was six, my brother, Velimir, was born and I was taken back to my parents'' house to live. New parents, new house, and new brother, all at the same time.
And almost immediately, my life got much worse. I remember wanting to go back to my grandmother''s house, because it had been such a secure place for me. It felt very tranquil. She had all these rituals in the morning and in the evening; there was a rhythm to the day. My grandmother was very religious, and her entire life revolved around the church. At six o''clock every morning, when the sun would rise, she''d light a candle to pray. And at six in the evening, she''d light another candle to pray again. I went to church with her every day until I was six and I learned about all the different saints.
Her house was always fi.