Stella Adler on Ibsen, Strindberg and Chekhov
Stella Adler on Ibsen, Strindberg and Chekhov
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Author(s): Adler, Stella
ISBN No.: 9780679424420
Pages: 352
Year: 199903
Format: Trade Cloth (Hard Cover)
Price: $ 37.95
Status: Out Of Print

Chekhov says that beauty brings a sense of loss; that the possibility of happiness is too far removed. Life can give you a little, but beauty has a way of disturbing you because you can't have it all. It isn't easy to define this kind of unhappiness, but he explores it in the plays. Chekhov has no theory of life to explain things like Shaw or Ibsen or Strindberg. But he is perhaps the greatest author in the understanding of human beings. He understands that the human life is lived inwardly. Chekhov in Russia is considered greater even than Tolstoy. I would say that he is my favorite author.


He criticized himself right down to the depths. He said, "I'm a cheat, I'm a liar, I don't love anybody, I'm a lousy writer." He is constantly battling with his apathy and need for self-approval. You meet characters inThe Seagullwho have that apathy but who have the ambition to fight through, the will to struggle for something better. The individual he admires most is the one who at leasttries.In Chekhov you get an understanding of the man or woman who makes an effort. It can be a weak effort--there is a kind of fragility in it--but they make it. "I'm going to work, I'm going to change my life.


" It doesn't have to be strong, it doesn't have to be large, if even for a moment they can see, "I have to push myself ahead a little bit." There is great weakness in Chekhov's people. He doesn't have a lofty sense of man, in his time, with dignity. "What difference does it make? I'm defeated. To hell with it. Give me a drink." Most men of his society have given in. Chekhov has a feeling that the great past of the Russian intellectual is over.


He says, "I am living in a moment where I have to sell things to support my brother and sister." He himself writes stories to sell, and then he writes a play to sell, and then he says, "I have to write and sell more." Ibsen says society has to be changed, it is corrupted by false values. Strindberg teaches you something else. Chekhov doesn't believe in a philosophy, doesn't believe in God. Uncle Vanya doesn't believe in anything. If you believe in communism, it is better than believing in nothing. But Chekhov has no thesis.


That is one of the things that makes his characters dissatisfied with their lives. He doesn't have a world view that you discuss when leaving the theater. Chekhov was preoccupied with studying man despite the fact that life had lost its bigger meaning, which made him able to smile at certain things instead of scream. He is interested in man. Most audiences find this close to their heart--the fact that he is close to the inner meanings of human emotions. He sees the world for beauty but does not think it is full of great significance. That is lost and he knows it. It is our loss, but we can't help it.


He felt no obligation to explain life, but to put it down as he saw it truthfully. He was able to see what other writers before him had seen but did not understand. He put it down for the world to understand: man as he functions as an individual, with the suffering inside. Chekhov stopped preaching at an early age and became an observer. His understanding of life brought out the empathy he felt for people and you feel as actors when you do the play. The compassion Chekhov brings out universally is why he is so much more played than other writers. Chekhov is an artist you understand if you think of him as a man whose art is expressed best with no words, like painting or music. Yo.



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