"While border aesthetics have attracted increasing attention over the last decade, this wide-ranging and innovative collection offers a dynamic argument about why border cinema has become a central direction in contemporary film. Intricately weaving the digital technologies that support it and the shifting global politics that are its target, the book intervenes precisely and provocatively in how we understand world cinema today." -- Timothy Corrigan, author of A Short Guide to Writing about Film "Examining media from around the globe, this collection of essays compellingly interrogates the relationship between the digital and border cinema aesthetics. As the editors show, the border has become multiple, even mobile borders; mediated representations of these third spaces call viewers to political action and ethical engagement while affording opportunities for re-imagining subjectivities in a post 9-11 world. Essential reading for those invested in the way cinema imagines liminal social spaces." -- Laura Isabel Serna, author of Making Cinelandia: American Films and Mexican Film Culture "Recommended." -- Choice "While border aesthetics have attracted increasing attention over the last decade, this wide-ranging and innovative collection offers a dynamic argument about why border cinema has become a central direction in contemporary film. Intricately weaving the digital technologies that support it and the shifting global politics that are its target, the book intervenes precisely and provocatively in how we understand world cinema today.
" -- Timothy Corrigan, author of A Short Guide to Writing about Film "Recommended." -- Choice "Examining media from around the globe, this collection of essays compellingly interrogates the relationship between the digital and border cinema aesthetics. As the editors show, the border has become multiple, even mobile borders; mediated representations of these third spaces call viewers to political action and ethical engagement while affording opportunities for re-imagining subjectivities in a post 9-11 world. Essential reading for those invested in the way cinema imagines liminal social spaces." -- Laura Isabel Serna, author of Making Cinelandia: American Films and Mexican Film Culture cinema imagines liminal social spaces."-- Laura Isabel Serna, author of Making Cinelandia: American Films and Mexican Film Culture "Recommended." -- Choice "While border aesthetics have attracted increasing attention over the last decade, this wide-ranging and innovative collection offers a dynamic argument about why border cinema has become a central direction in contemporary film. Intricately weaving the digital technologies that support it and the shifting global politics that are its target, the book intervenes precisely and provocatively in how we understand world cinema today.
" -- Timothy Corrigan, author of A Short Guide to Writing about Film "Recommended." -- Choice "Examining media from around the globe, this collection of essays compellingly interrogates the relationship between the digital and border cinema aesthetics. As the editors show, the border has become multiple, even mobile borders; mediated representations of these third spaces call viewers to political action and ethical engagement while affording opportunities for re-imagining subjectivities in a post 9-11 world. Essential reading for those invested in the way cinema imagines liminal social spaces." -- Laura Isabel Serna, author of Making Cinelandia: American Films and Mexican Film Culture itors show, the border has become multiple, even mobile borders; mediated representations of these third spaces call viewers to political action and ethical engagement while affording opportunities for re-imagining subjectivities in a post 9-11 world. Essential reading for those invested in the way cinema imagines liminal social spaces."-- Laura Isabel Serna, author of Making Cinelandia: American Films and Mexican Film Culture cinema imagines liminal social spaces."-- Laura Isabel Serna, author of Making Cinelandia: American Films and Mexican Film Culture "Recommended.
" -- Choice "While border aesthetics have attracted increasing attention over the last decade, this wide-ranging and innovative collection offers a dynamic argument about why border cinema has become a central direction in contemporary film. Intricately weaving the digital technologies that support it and the shifting global politics that are its target, the book intervenes precisely and provocatively in how we understand world cinema today." -- Timothy Corrigan, author of A Short Guide to Writing about Film "Recommended." -- Choice "Examining media from around the globe, this collection of essays compellingly interrogates the relationship between the digital and border cinema aesthetics. As the editors show, the border has become multiple, even mobile borders; mediated representations of these third spaces call viewers to political action and ethical engagement while affording opportunities for re-imagining subjectivities in a post 9-11 world. Essential reading for those invested in the way cinema imagines liminal social spaces." -- Laura Isabel Serna, author of Making Cinelandia: American Films and Mexican Film Culture cinema imagines liminal social spaces."-- Laura Isabel Serna, author of Making Cinelandia: American Films and Mexican Film Culture "Recommended.
" -- Choice "While border aesthetics have attracted increasing attention over the last decade, this wide-ranging and innovative collection offers a dynamic argument about why border cinema has become a central direction in contemporary film. Intricately weaving the digital technologies that support it and the shifting global politics that are its target, the book intervenes precisely and provocatively in how we understand world cinema today." -- Timothy Corrigan, author of A Short Guide to Writing about Film "Recommended." -- Choice "Examining media from around the globe, this collection of essays compellingly interrogates the relationship between the digital and border cinema aesthetics. As the editors show, the border has become multiple, even mobile borders; mediated representations of these third spaces call viewers to political action and ethical engagement while affording opportunities for re-imagining subjectivities in a post 9-11 world. Essential reading for those invested in the way cinema imagines liminal social spaces." -- Laura Isabel Serna, author of Making Cinelandia: American Films and Mexican Film Culture itors show, the border has become multiple, even mobile borders; mediated representations of these third spaces call viewers to political action and ethical engagement while affording opportunities for re-imagining subjectivities in a post 9-11 world. Essential reading for those invested in the way cinema imagines liminal social spaces.
"-- Laura Isabel Serna, author of Making Cinelandia: American Films and Mexican Film Culture itors show, the border has become multiple, even mobile borders; mediated representations of these third spaces call viewers to political action and ethical engagement while affording opportunities for re-imagining subjectivities in a post 9-11 world. Essential reading for those invested in the way cinema imagines liminal social spaces."-- Laura Isabel Serna, author of Making Cinelandia: American Films and Mexican Film Culture cinema imagines liminal social spaces."-- Laura Isabel Serna, author of Making Cinelandia: American Films and Mexican Film Culture "Recommended." -- Choice "While border aesthetics have attracted increasing attention over the last decade, this wide-ranging and innovative collection offers a dynamic argument about why border cinema has become a central direction in contemporary film. Intricately weaving the digital technologies that support it and the shifting global politics that are its target, the book intervenes precisely and provocatively in how we understand world cinema today." -- Timothy Corrigan, author of A Short Guide to Writing about Film "Recommended." -- Choice "Examining media from around the globe, this collection of essays compellingly interrogates the relationship between the digital and border cinema aesthetics.
As the editors show, the border has become multiple, even mobile borders; mediated representations of these third spaces call viewers to political action and ethical engagement while affording opportunities for re-imagining subjectivities in a post 9-11 world. Essential reading for those invested in the way cinema imagines liminal social spaces." -- Laura Isabel Serna, author of Making Cinelandia: American Films and Mexican Film Culture itors show, the border has become multiple, even mobile borders; mediated representations of these third spaces call viewers to political action and ethical engagement while affording opportunities for re-imagining subjectivities in a post 9-11 world. Essential reading for those invested in the way cinema imagines liminal social spaces."-- Laura Isabel Serna, author of Making Cinelandia: American Films and Mexican Film Culture tics that are its target, the book intervenes precisely and provocatively in how we understand world cinema today."-- Timothy Corrigan, author of A Short Guide to Writing about Film.