Contents: Neil Archer/Andreea Weisl-Shaw: Introduction: Theorizing Adaptation - Laurence Grove: Adapting the Image - Geoffrey Roger: The Adaptation of Scribal Practices in Medieval Burgundy: The Example of MS Glasgow Hunter 252 Les Cent Nouvelles Nouvelles - Andreea Weisl-Shaw: The Strengthening of the Frame in the Fables Pierre Aufors - Emilia Wilton-Godberfforde: Molière's Dom Juan: The Trickster Transformed - Sotirios Paraschas: 'La contrefaçon spirituelle': Balzac and the Unauthorized Stage Adaptations of Novels - Geneviève de Viveiros: Theatrical Adaptations on the Parisian Stage during the Nineteenth Century: Debates, Disputes and Scandals in the Press - Peter Collier: Harold Pinter and Di Trevis in Search of Lost Text: The Theatrical Image of Proust - Claire Bisdorff: 'Ecrivain ? Qu'est-ce qu'un écrivain ?' Oraliture Translated in Maryse Condé's Traversée de la Mangrove - Bart Miller: Adaptation to Colonialism in Paris: Damas's Pigments - Anne Cameron: Adapting Imagery: The Seventeenth-Century English Translation of French Poetic Descriptions - Cécile Renaud: Hiding and Marketing Frenchness: Adapting the Promotion of French Films for British Audiences - Neil Archer: Attack of the Clones: Watching Stars Playing Stars in French Biopics - Ruth Morris: Madame Bovary : A Catastrophist Reading of Adaptation - Armelle Blin-Rolland: Voice in Adaptation: Tardi's Illustration of Céline's Voyage au bout de la nuit - Catriona McLeod: Adopting and Adapting: Ethnic Minority Women's Quest for Identity in the Bande Dessinée.