Ellsworth Kelly's print production with Gemini G.E.L., a publishing workshop in Los Angeles, remains an intrinsic element in understanding art of the 20th century.Richard H. Axsom's essay serves to update his book The Prints of Ellsworth Kelly: A Catalogue Raisonne, 1949-85. Stuart Steck's essay on Kelly's student years in Boston provides a biographical prelude for his recent print-making. Mary Drach McInnes discusses Kelly's 1992 lithograph illustrations for a 100-year-old poem by Stephane Mallarme, together forming a hymn to modernism.