Jorge Luis Borges in "The Library of Babel" imagines a hellish archive of books - a macrocosmic columbarium, whose infinite chambers provide an exhaustive repository for all the permutations of the alphabet. Inside this endless library, nonsensical texts so drastically outnumber any intelligible books that a coherent phrase must seem tantamount to a wondrous mishap. Poets within such a prisonhouse can no longer contribute anything innovative to literature, because literature itself has already anticipated and inventoried in advance all the anagrammatic combinations of every text. The librarian who narrates the story notes that, on a shelf in his hexagon, there exists a volume entitled THE PLASTER CRAMP.Christian Bök has rediscovered this volume in The Library of Babel (curated by Jonathan Basile). THE PLASTER CRAMP is published to the specifications described by Borges, who imagines a book of 410 pages, with 40 lines of text per page and with 80 characters of text per line. Bök has typeset the book in Panoptica (a font designed by Nick Shinn, who has created a set of monospaced characters, according to the "prisoner's constraint," meaning that none of the letters have either ascenders or descenders). The hardcover is limited to an edition of 100 copies for sale, after which the book is going to be discontinued.

The book is a collectible item, perfect as a gift for librarians and bibliophiles, who love the work of Borges.Read "The Library of Babel" here:https://archive.org/details/TheLibraryOfBabelVisit the Library of Babel here:https://libraryofbabel.info/index.html.