A peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference Introduction --LISA JACKSON-SCHEBETTA, WITH ODAI JOHNSON, CHRYSTYNA DAIL, AND JONATHAN SHANDELL PART I STUDIES IN THEATRE HISTORY Un-Reading Voltaire: The Ghost in the Cupboard of the House of Reason --ODAI JOHNSON Caricatured, Marginalized, and Erased: African American Artists and Philadelphia's Negro Unit of the FTP, 1936-1939 --JONATHAN SHANDELL Stop Your Sobbing: White Fragility, Slippery Empathy, and Historical Consciousness in Branden Jacobs-Jenkins's Appropriate --SCOTT PROUDFIT Asia and Alwin Nikolais: Interdisciplinarity, Orientalist Tendencies, and Midcentury American Dance --ANGELA K. AHLGREN PART II WITCH CHARACTERS AND WITCHY PERFORMANCE Editor's Introduction to the Special Section Shifting Shapes: Witch Characters and Witchy Performances --CHRYSTYNA DAIL To Wright the Witch: The Case of Joanna Baillie's Witchcraft --JANE BARNETTE Nothing Wicked This Way Comes: Shakespeare's Subversion of Archetypal Witches in The Winter's Tale --JESSICA HOLT Of Women and Witches: Performing the Female Body in Caryl Churchill's Vinegar Tom --MAMATA SENGUPTA (Un)Limited: The Influence of Mentorship and Father-Daughter Relationships on Elphaba's Heroine Journey in Wicked --REBECCA K. HAMMONDS Immersive Witches: New York City under the Spell of Sleep No More and Then She Fell --DAVID BISAHA PART III Essay from the Conference The Robert A. Schanke Award-Winning Essay, MATC 2020 New Conventions for a New Generation: High School Musicals and Broadway in the 2010s --LINDSEY MANTOAN.