Margo Berdeshevsky's Kneel Said the Night weaves together intimacy, revamped fairytales, erotic myth, and legend. Berdeshevsky articulates a composition that is balanced precariously between wonder and horror by merging poetry, prose, and visual art. The result is the fragmented world of a speaker that offers a visceral, lifelong journey of love and ruin. This collection explodes with relationships that are both passionate and complicated: a sick mother and her daughter, an unwanted child-turned-mother, a woman and her desires, a woman and her lovers, a woman and her predators, little boys and their predator. Oscillating between the real and the unreal, Kneel Said the Night renders pain and pleasure in equal parts, with imagery that cuts deeply, yet embraces its reader, asking both "who holds the winning hand?" and "who will save us?".