"Chekhov high on speed and Twinkies. A Work as ferocious as Mr. Bogosian's own one-man shows." -- David Richards, "New York Times" "A scarifying dissection of youthful disillusion that manages to be both appalling and appealing." -- "Newsweek" "Bogosian's script retains the playwright-performer's trademark vitriol and hammer wit." -- "TimeOut New York" This updated version of Eric Bogosian's theatrical tour de force, set in a convenience store parking lot, recently riveted audiences in its Off-Broadway premiere. His rewrites - for a world with cell phones, hip-hop and war-time cultural tensions - render the piece "an American anyplace where everything, yet nothing, has changed." -- Celia McGee, "New York Times" One of America's premier performers and most innovative and provocative artists, Eric Bogosian's plays and solo work include "suburbia" (Lincoln Center Theater, 1994; adapted to film by director Richard Linklater, 1996); "Sex, Drugs, Rock & Roll," "Pounding Nails in the Floor with My Forehead"; "Griller"; "Humpty Dumpty"; "1+1"; "Skunkweed"; "Wake Up and Smell the Coffee"; "Drinking in America"; "Notes from Underground" and "Talk Radio" (Pulitzer Prize finalist; New York Shakespeare Festival, 1987; Broadway, 2007; adapted to film by director Oliver Stone, 1988).

He has starred in a wide variety of film, TV and stage roles. Most recently, he created the character of Captain Danny Ross on the long-running series "Law & Order: Criminal Intent." In 2014, TCG published "100 (monologues)," a collection that commemorates thirty years of Bogosian's solo-performance career.