Clint Burnham is the author of book-length studies of Steve McCaffery and Fredric Jameson, a novel titled Smoke Show (2005) and several books of poetry. His latest book of poetry, The Benjamin Sonnets , was published in 2009. Clint has written on art in fillip , Flash Art , Camera Austria , Vancouver Sun , Canadian Art , Artforum , and Globe and Mail , and he currently blogs at momus.ca. He co-edited the art catalogue Digital Natives with Lorna Brown, From Text to Texting with Paul Budra , and an issue of Canadian Literature on 21st century poetics with Christine Stewart; his most recent critical book is The Only Poetry that Matters: Reading the Kootenay School of Writing . His most recent art writing includes a catalogue essay on Canadian photographer Kelly Wood, a contribution to the For Machine Use Only exhibition catalogue at the Schneiderei Galerie (Vienna), and an essay for the Future of Memory exhibition at the Kunsthalle Wien; a catalogue essay is also forthcoming for the Vancouver photographer Henri Robideau's retrospective at the grunt gallery, and an essay on Edward Burtynsky is in the forthcoming Petrocultures collection from McGill-Queens. Burnham is an associate member of the SFU Department of Geography and a member of SFU's Centre for Global Political Economy. During his sabbatical in 2014-15, Prof.

Burnham completed a residency at the Urban Subjects Collective in Vienna, where he wrote books on Slavoj zizek and digital culture, and on Fredric Jameson and Wolf of Wall Street. Clint is a founding member of the Vancouver Lacan Salon, and can be followed on twitter @Prof_Clinty.