Introduction: Revisiting Tarde's House, Matei Candea Part 1: 'The Distance that lay Between': The Tarde-Durkheim Debate Reconsidered1. The Debate, Gabriel Tarde & Emile Durkheim 2. Imitation: Returning to the Tarde-Durkheim Debate, Bruno Karsenti3. The Value of a Beautiful Memory: Imitation as Borrowing in Serious Play at Making Mortuary Sculptures in New Ireland, Karen Sykes4. Tarde and Durkheim and the Non-Sociological Ground of Sociology, David Toews 5. If There is No Such Thing as Society, Is Ritual Still Special? On Using The Elementary Forms after Tarde, Joel Robbins 6. One or Three: Issues of Comparison, Timothy Jenkins7. The Height, Length and Width of Social Theory, Alberto Corsín Jiménez 8.

Faith, Reason and the Ethic of Craftsmanship: Creating Contingently Stable Worlds, Penny Harvey & Soumhya Venkatesan Part 2: Quantifying, Tracing, Relating: Fragments of Tardean Method9. Tarde's idea of Quantification, Bruno Latour 10. Gabriel Tarde and Statistical Movement, Emmanuel Didier 11. Tarde's Method: Between Statistics and Experimentation, Andrew Barry 12. Intervening with the Social? Ethnographic Practice and Tarde's Image of Relations Between Subjects, James Leach 13. Tarde on Drugs, or Measures Against Suicide, Eduardo Viana Vargas14. On Tardean Relations: Temporality and Ethnography, Georgina Born 15. Pass It On: Towards a Political Economy of Propensity, Nigel ThriftAfterword, Marilyn Strathern e Worlds, Penny Harvey & Soumhya Venkatesan Part 2: Quantifying, Tracing, Relating: Fragments of Tardean Method9.

Tarde's idea of Quantification, Bruno Latour 10. Gabriel Tarde and Statistical Movement, Emmanuel Didier 11. Tarde's Method: Between Statistics and Experimentation, Andrew Barry 12. Intervening with the Social? Ethnographic Practice and Tarde's Image of Relations Between Subjects, James Leach 13. Tarde on Drugs, or Measures Against Suicide, Eduardo Viana Vargas14. On Tardean Relations: Temporality and Ethnography, Georgina Born 15. Pass It On: Towards a Political Economy of Propensity, Nigel ThriftAfterword, Marilyn Strathern.