FOREWORD by Sally O'Reilly INTRODUCTION Art and Journalism: A Perspective Shift of Meaning by Andrei Siclodi Chapter 1: ONE THING Among Many Chapter 2: WHAT is Aesthetic Journalism? Why aesthetic? Why journalism? The crisis of traditional journalism Art's chance Chapter 3: WHERE is Aesthetic Journalism? Art's context Documentary Internet Advertising Chapter 4: WHEN did Aesthetic Journalism Develop? A few scenarios of the past.and some closer to the present Art as self-documentation Art as social criticism Dan Graham Martha Rosler Hans Haacke Art as reporting Grupo de artistas de vanguardia Chapter 5: HOW shall we Read Aesthetic Journalism? Reading reality Constructing reality Subjectivity at play Chapter 6: WHO produces Aesthetic Journalism Today? From Which Position? Artist and projects Multiplicity: Border Device(s)/ The Road Map (2003) Lukas Einsele: One Step Beyond - The Mine Revisited (2001-2004) Laura Horelli: Helsinki Shipyard/Port San Juan (2002-2003) Renzo Martens: Episode 1 (2001-2003) Alfredo Jaar: The Rwanda Project (1994-2000) Reneé Green: Partially Buried in Three Parts (1996-1999) The Atlas Group/Walid Raad: Hostage: The Bachar Tapes (1999-2001) Bruno Serralongue: Risk Assessment Strategy (2002) Chapter 7: WHY is Aesthetic Journalism Relevant, Now and in Perspective? Different strategies Witnessing: making time Interactivity: removing the visible, adding the meaningful Hijacking: on art and journalism Disclosing: playing with mechanisms Horizon(ing) Chapter 8: REFERENCES and Niceties Acknowledgements Bibliography AFTERWORD Bared Life by Irit Rogoff.