1. To chorus from quartet: the performing resource for English church polyphony, c. 1390'1559; 2. Editing and performing musica speculativa; 3. The sound of Latin in England before and after the Reformation; 4. English pronunciation c. 1500'c. 1625; 5.

Byrd, Tallis and Ferrabosco; 6. John Baldwin and changing concepts of text underlay; 7. Sacred songs in the chamber; 8. The education of choristers in England during the sixteenth century; 9. The 'burden of proof': the editor as detective.