"Offers a meticulous and piercing reassessment of the origins of the 'Romanesque' style in medieval architecture. The Romanesque--long meant to evoke the revival of classical Roman traditions that brought an end to the Dark Ages and heralded the coming of the Renaissance--should more rightly be called Islamesque, according to Darke. The result is a revelatory work."--Publishers Weekly"A thrilling detective story that begins with a zigzag and ends with a radical reappraisal of our religious past. Whenever you visit a church or cathedral, take this book; you will learn a new way to read religious buildings, and a new way to think about Islam's place in Europe." -- Edward Stourton, BBC Radio 4"In this truly beautiful book, Diana Darke masterfully explores and unveils the much-ignored Islamic contribution to European architectural heritage. It is fascinating, enlightening and also educating to all those who see only stark gaps between civilizations." -- Mustafa Akyol, Senior Fellow on Islam and Modernity, Cato Institute, and author of Reopening Muslim Minds: A Return to Reason, Freedom, and Tolerance"A guide to some of the most remarkable buildings in Europe, Islamesque persuasively argues that the innovative techniques and motifs of Romanesque architecture can only be explained by wealthy Christian patrons employing architects and craftsmen from formerly Muslim Spain and Sicily.

" -- Julia Bray, Emerita Abdulaziz Saud AlBabtain Laudian Professor of Arabic, University of Oxford"Learned but lively, Islamesque invites us to look again at medieval European architecture, demonstrating beyond doubt that the spirit, techniques and crafts of Islam inspired many of its most glorious expressions." -- Tim Winter, Lecturer in Islamic Studies, University of Cambridge"It's rare to read a historical account of architecture where bias is eliminated and prejudice overcome. Diana Darke does just that, writing out of love and respect for places and peoples. In times of severe division, she dedicatedly turns the compass towards the true essence of civilizations: human cooperation." -- Marwa Al-Sabouni, architect, public speaker and author of Building for Hope and The Battle for Home"Once again, Diana Darke forces us to open our eyes and see the wealth of outside influences on Europe's architecture. With an often-startling originality she brings to life the charm and elegance that Islam brought to soften the northern vigor of Romanesque and Gothic." -- Simon Jenkins, Guardian columnist, and author of Cathedrals: Masterpieces of Architecture, Feats of Engineering, Icons of Faith"Magnificently lively, detailed and bold, a real revolution in how we think about the development of medieval art and architecture. But it also does a fine and timely job of unsettling all kinds of assumptions about mutually impenetrable and isolated civilizations.

" -- Rowan Williams, former Archbishop of Canterbury"A beautifully-illustrated account of the Middle Eastern influence on Europe's great buildings. [Darke] offers an enjoyable and eye-opening reminder that Europe's heritage has far more diverse roots than we assume." -- The Guardian"A pioneering work of scholarship . an audacious challenge to art historical orthodoxy." -- The Christian Science Monitor"Brilliant . a wonderful way to look at the subject with new eyes, but it could serve as an introduction also for the general reader to appreciate the complexity of our history." -- Counterfire"Darke meticulously used available historical sources to challenge and dismantle Eurocentric assumptions and emphasised the interconnectedness of medieval architectural traditions." -- The Jordan Times.