"By challenging Dick Clark's claim that he helped integrate American popular music and culture, Matthew Delmont puts the lie to Clark's air-brushed history of American Bandstand's role in racial desegregation. The Nicest Kids in Town shows how the nexus of sound, place, race, and space operated together to create and reinforce a myth of national memory and belonging. Just as importantly, this compelling cultural history demonstrates the importance of the youth market as a theater of struggle where brave young men and women--outraged by the discrimination and racism they faced for the simple act of enjoying music--refused to have their bodies, tastes, or desires policed. Delmont shows how the music moved them, and how in turn they moved the music onto television screens across America."--Herman Gray, author of Cultural Moves . " The Nicest Kids in Town speaks simultaneously to several significant current lines of inquiry among historians of the United States after World War II. Delmont takes on issues that we thought we already knew completely--the social and cultural history of the 1950s and #145;60s, the Civil Rights movement, the birth of television--but he brings original material to his story and connects these issues in new ways. Delmont's work proves him to be a talented, careful, and thorough scholar, and in a large body of work on these topics, his book stands alone.

"--Jay Mechling, author of On My Honor: Boy Scouts and the Making of American Youth .