General Editor's Preface Introduction Translator's Note Abbreviations 1922: 1 Sergei Yutkevich and Eisenstein: The Eighth Art. On Expressionism, America and, of course, Chaplin. 1923: 2 The Montage of Attractions. 1924: 3 The Montage of Film Attractions. 1925: 4 The Problem of the Materialist Approach to Form. 5 The Method of Making a Workers' Film. 1926: 6 Constanta (Whither 'The Battleship Potemkin'). 7 However Odd - Khokhlova! 8 Eisenstein on Eisenstein, the Director of 'Potemkin'.

9 Bela Forgets the Scissors. 10 The Two Skulls of Alexander the Great. 11 The German Cinema. A Traveller's Impressions. 1927: 12 Give Us a State Plan. 1928: 13 Literature and Cinema: Reply to a Questionnaire. 14 What We Are Expecting from the Party Conference on Cinema. 15 Our 'October'.

Beyond the Played and the Non-Played. 16 For a Workers' Hit. 17 Eisenstein, Vsevolod Pudovkin and Grigori Alexandrov: Statement on Sound. 18 An Unexpected Juncture. 19 Eisenstein and Grigori Alexandrov: The Twelfth Year. 20 The GTK Teaching and Research Workshop. A Conversation with the Leader of the Workshop, S.M.

Eisenstein. 1929: 21 Conversation with Eisenstein on Sound Cinema. 22 The Form of the Script. 23 'The Arsenal' 24 Beyond the Shot. 25 Perspectives. 26 The Dramaturgy of Film Form. 27 The Fourth Dimension in Cinema. 1930: 28 The Principles of the New Russian Cinema.

29 Rin-Tin-Tin Does His Tricks for Noted Russian Movie Man. 30 The Dynamic Square. 1932: 31 Help Yourself? 32 In the Interests of Form. 1933: 33 Throug the Revolution to Art: Through Art to the Revolution. 34 Pantagruel Will be Born. 35 To Your Posts! 36 George Melies's Mistake. 37 An Attack by Class Allies. 38 Cinema and the Classics.

1934: 39 For Elevated Ideological Content, for Film Culture! 40 On Fascism, German Cinema and Real Life. Open Letter to the German Minister of Propaganda, Dr Goebbels. 41 'Eh!' On the Purity of Film Language. 42 At Last! Notes Index.