Introduction: Hybridity in Early Modern Art Ashley Elston and Madeline Rislow Part 1: Hybrid Media 1. Connecting Human and Divine: Carlo Crivelli's Hybrid Media Amanda Hilliam 2. Collaboration and Dissonance in Siena's Bichi Altarpiece Ashley Elston 3. Emblems and Hybridity in a Southern German Epitaph Sculpture Catharine Ingersoll 4. Hybridity, Media, and Source Material in Visual Representations of the Wild Woman: Transitions from Hand-Copied Manuscripts to Hand-Press Prints Michelle Moseley-Christian 5. A Material Legacy: Hybridity and French Manuscript Illumination from the Late Fifteenth through Sixteenth Centuries Larisa Grollemond Part 2: Hybrid Time 6. Visual Hybridity in the Sancta Sanctorum (Rome): Reframing the Middle Ages Kirstin Noreen 7. (Re-)Encasing the Ashes of St.

John the Baptist in Genoa Across Time Madeline Rislow 8. Recycling, Renaissance Style: Hybridity and Giorgio Vasari's Pieve Altarpieces Sally J. Cornelison 9. Style and Meaning Beyond Europe: Bernardo Bitti and Mannerism Christa Irwin.