Contents: Preface; Ciconia's last songs and their milieu; Ciconia's influence; Two equal voices: a French song repertory with music for two more works of Oswald von Wolkenstein; Binchois and the poets; Ballades by Dufay, Grenon and Binchois: the Boorman fragment; Leonardo Giustinian and quattrocento polyphonic song; Johannes Ockeghem: the changing image, the songs and a new source; Ockeghem as a song composer: hints towards a chronology; The life of Johannes Regis, ca. 1425 to 1496; Busnoys and the early 15th century: a note on L'ardant desir and Faictes de moy; 'Trained and immersed in all musical delights': towards a new picture of Busnoys; Jean Molinet and the lost Burgundian court chansonniers of the 1470s; Walter Frye's Ave regina celorum and the Latin song style; Who composed Mille regretz?; What happened to El grillo; Influences on Josquin; Josquin and popular songs; Josquin and Il n'est plaisir; Petrucci's Canti volumes: scope and repertory; Alamire as a composer; Henry VIII as a composer; Additions and corrections; Indexes.