"An extremely impressive achievement. The book is overwhelming in its attention to both detail and the larger picture. It should have a tremendous impact on the field."--Susan McClary, author of Feminine Endings "All future discussion of the Italian madrigal . will be profoundly indebted to Feldman's musical sensitivities and perceptiveness, to her wide reading in literary theory of the period, and to her extraordinary skill in making musical events palpable."--H. Colin Slim, editor of A Gift of Madrigals and Motets "With this book Professor Feldman establishes herself as the leading authority on the subjects of the Venetian madrigal and of humanistic musical culture in 16th-century Venice. There is nothing of this scope and quality to be found in previous scholarly literature.

"--James Haar, author of Essays on Italian Poetry and Music in the Renaissance, 1350-1600 "This marvelously interdisciplinary book illuminates the social and intellectual mobility of sixteenth-century Venetian culture, its intricate weave of private and public civic identities, and the paradoxes and tensions of its quest for diversity and unprecedented fusion of rhetorical principles and expressive idioms in music, poetry, and the other arts. It offers an astounding wealth of information and insight for historians of ideas, literary specialists, and music historians."--William J. Kennedy, author of Authorizing Petrarch.