Series Preface - Michael Filimowicz Volume Introduction - Michael Filimowicz The Nature of Sound and Recording - Andrew Hill Invisible seams: the role of Foley and voice post-production recordings in the design of cinematic performances - Sandra Pauletto Media Management, Sound Editing and Mixing - George Kalliris, Charalampos A. Dimoulas, Maria Matsiola Audio Effects in Sound Design - Brecht De Man The Mix Stems: Voice, Effects, Music - Neil Hillman Mixing and Mastering - Paul Geluso Designing Sound for 3D Films - Damian Candusso Compositional Techniques for Sound Design - Sarah Pickett Music Theory for Sound Designers - Adam Melvin, Brian Bridges Leveraging Online Audio Commons Content for Media Production - Anna Xamboì, Frederic Font, György Fazekas, Mathieu Barthet Sound Ontologies. Methods and Approaches for the Description of Sound - Davide Andrea Mauro, Andrea Valle Electroacoustic Music: An Art of Sound - Andrew Hill Electronic Dance Music in Narrative Film - Roberto Filoseta Soundscape Composition - listening to context and contingency - John Levack Drever From feeling vibrations to building audio-visual scenes: The perceptual practice of storytelling with sound - Isabelle Delmotte Sarah Pickett Music Theory for Sound Designers - Adam Melvin, Brian Bridges Leveraging Online Audio Commons Content for Media Production - Anna Xamboì, Frederic Font, György Fazekas, Mathieu Barthet Sound Ontologies. Methods and Approaches for the Description of Sound - Davide Andrea Mauro, Andrea Valle Electroacoustic Music: An Art of Sound - Andrew Hill Electronic Dance Music in Narrative Film - Roberto Filoseta Soundscape Composition - listening to context and contingency - John Levack Drever From feeling vibrations to building audio-visual scenes: The perceptual practice of storytelling with sound - Isabelle Delmotte >.