PART I: THE BALLETS RUSSES AND BEYOND Coming Home: Diaghilev in Perm The Diaries of Marius Petipa Design and the Idea of the Modern in Early Twentieth-Century Ballet Diaghilev's Musical Legacy At Home and Abroad: Paris/Petersburg 1913 Dance, Film, and the Ballets Russes Forgotten Interlude: Eurhythmic Dancers at the Paris Opera Rivals for the New: The Ballets Suedois and the Ballets Russes Politics in Paradise: Andre Levinson's Classicism PART II: RECONFIGURING THE SEXES The Travesty Dancer in Nineteenth-Century Ballet Soloists Abroad: The Pre-War Careers of Natalia Trouhanova and Ida Rubinstein Lydia Lopokova and Les Soirees de Paris Reconfiguring the Sexes Choreography by Nijinska Mark Morris and the Feminine Mystique The Late Snow Prince Where are Ballet's Women Choreographers? PART III: DANCE IN NEW YORK Dance in the City: Toward an American Dance George Antheil and the Dance Dali, Ana Maria, and The Three-Cornered Hat Radical Moments: Martha Graham Centennial Celebration Writing on the Left: The Remarkable Career of Edna Ocko Dollars for Dance: Lincoln Kirstein, City Center, and the Rockefeller Foundation Parallel Lives: Alvin Ailey and Robert Joffrey Revelations Dance Theater of Harlem at Thirty American Ballet Theatre: 1989 American Ballet Theatre: 2001 Dance for a City: Fifty Years of the New York City Ballet PART IV: STAGING THE PAST Price-Tagging Diaghilev Tracking Down Le Train Bleu Massine Heterodoxical Pasts Time Traveling with the Kirov Myth or Memory? Solomon Volkov's Petersburg Index.