Acknowledgments Foreword Anthony Uhlmann (Western Sydney University, Australia) Demonology, Sade-ism, and Samuel Beckett's Decadent Turn: An Introduction I. A Professional Life 1. Samuel Beckett and Lace Curtain Irish Modernisms 2. Publishing in America: Sam and Barney 3. Eleutheria : Samuel Beckett's Suppressed Bohemian Manifesto II. A Theatrical Life 4. Textual Aberrations, Ghost Texts and the British Godot : A Saga of Censorship 5. 'Nothingness in Words Enclosed?': Waiting for Godot 6.
An End to Endings: Samuel Beckett's End Game(s) 7. Samuel Beckett's Art of Self-Collaboration 8. Beckett's Keyhole Art: Voyeurism, Schaulust and the Perversions of Theatre 9. 'He Wants to Know If It Hurts!': The Body as Text in Samuel Beckett's Theatre III. A Philosophical Life 10. Theatrical and Theoretical Intersections: Samuel Beckett, Herbert Blau, Civil Rights and the Politics of Godot 11. Beckett and the Revisioning of Modernism(s): Molloy 12. A Sense of Unending: Fictions for the End of Time 13.
The Death of Style: Samuel Beckett's Art of Repetition, Pastiche and Cut-ups Bibliography Index.