"Graeber and Wengrow offer a history of the past 30,000 years that is not only wildly different from anything we''re used to, but also far more interesting: textured, surprising, paradoxical, inspiring . It aims to replace the dominant grand narrative of history not with another of its own devising, but with the outline of a picture, only just becoming visible, of a human past replete with political experiment and creativity." -- William Deresiewicz, The Atlantic "[An] iconoclastic and irreverent new book . an exhilarating read." -- David Priestland, The Guardian (UK) "An instant classic . Fatalistic sentiments about human nature melt away upon turning the pages . [ The Dawn of Everything ] sits in a different class to all the other volumes on world history we are accustomed to reading . If comparisons must be made, they should be made with works of similar caliber in other fields, most credibly, I venture, with the works of Galileo or Darwin.
Graeber and Wengrow do to human history what the first two did to astronomy and biology respectively." -- Giulio Ongaro, Jacobin "A boldly ambitious work that seems intent to attack received wisdoms and myths on almost every one of its nearly 700 absorbing pages . entertaining and thought-provoking . an impressively large undertaking that succeeds in making us reconsider not just the remote past but also the too-close-to-see present, as well as the common thread that is our shifting and elusive nature." -- Andrew Anthony, The Observer (UK) " The Dawn of Everything is a lively, and often very funny, anarchist project that aspires to enlarge our political imagination by revitalizing the possibilities of the distant past . It disavows the intellectual trappings of a knowable arc, a linear structure, and internal necessity. As a stab at grandeur stripped of grandiosity, the book rejects the logic of technological or ecological determinism, structuring its narrative around our ancestors'' improvisatory responses to the challenges of happenstance." -- Gideon Lewis-Kraus, New Yorker "[ The Dawn of Everything ] took as its immodest goal nothing less than upending everything we think we know about the origins and evolution of human societies .
[the book] aims to synthesize new archaeological discoveries of recent decades that haven''t made it out of specialist journals and into public consciousness." -- Jennifer Schuessler, New York Times "A fascinating, radical, and playful entry into a seemingly exhaustively well-trodden genre, the grand evolutionary history of humanity. It seeks nothing less than to completely upend the terms on which the Standard Narrative rests . erudite, compelling, generative, and frequently remarkably funny . once you start thinking like Graeber and Wengrow, it''s difficult to stop. -- Emily M. Kern, Boston Review "Our forebears crafted their societies intentionally and intelligently: This is the fundamental, electrifying insight of The Dawn of Everything . It''s a book that refuses to dismiss long-ago peoples as corks floating on the waves of prehistory.
Instead, it treats them as reflective political thinkers from whom we might learn something." --Daniel Immerwahr, The Nation "The Dawn of Everything is an upbeat book . Prehistory, Graeber and Wengrow insist, is vastly more interesting than scholars knew until recently. And not just more interesting, but more inspiring as well . this book testifies to David Graeber''s admirable energy, imagination, and love of freedom." -- George Scialabba, The New Republic "The book''s 704 pages teem with possibilities. They are a testament, in the authors'' view, to human agency and invention -- a capacity for conscious political decision-making that conventional history ignores." --Molly Fischer, New York Magazine "Sentence by sentence, [ The Dawn of Everything ] is clear and forceful and funny, memorable in the manner of a lecture by the kind of professor whose students know they are lucky .
The authors have organized a profusion of ideas, details, and explanatory paradigms into a vast but comprehensible design, while never ceasing to delight and instruct." -- Phil Christman, Commonweal Magazine "The premise is exhilarating, and its implications are only beginning to be considered. [You] get the sense that a political consciousness is an artistic consciousness. This view enables us to look at works of art with renewed optimism, as little windows into alternative ways of living rather than ''artificial hells.'' . At a moment when so many artists, curators, and academics are eager to "decenter the human" in their work, The Dawn of Everything invites us to do the (much harder) job of reframing the braided questions of what humankind was, is, and could be." --Simon Wu, Artforum "A startlingly new picture of our shared past: messier and more complicated, flush with diversity, experimentation, and, above all, freedom . A culmination of Graeber''s lifelong project, as well as a testament to the power of intellectual collaboration .
A new origin story of human societies, one with a horizon beyond our present disillusionment." --Jared Spears, Yes! Magazine "Brainy . the latest--and most provocative--in a line of Big History: bold, panoptic works that offer to explain the whole sweep of man''s story . [as] passionate as you''d expect from a decade-long labor of love--conceived by two learned and mischievous men." -- Tunku Varadarajan, The Wall Street Journal "A fascinating argument about why humans today are ''stuck'' in rigid, hierarchical states that would have appalled our ancestors . a fitting capstone to [Graeber''s] career . The Dawn of Everything begins as a sharp rejoinder to sloppy cultural analysis and ends as a paean to freedoms that most of us never realized were available. Knowing that there were other ways to live, Graeber and Wengrow conclude, allows us to rethink what we might yet become.
" -- Annalee Newitz, The Washington Post "An engrossing series of insights into how ''the conventional narrative of human history is not only wrong, but quite needlessly dull''." -- Anthony Doerr, The Guardian "[A] sense of revelation animates this provocative take on humankind''s social journey." -- Bruce Bower, Science News "Graeber and Wengrow hope to show that human imagination and possibility is broader and more hopeful than we let ourselves believe." -- Noah Berlatsky, NBC News "Wengrow and Graeber''s project has been to show how alternatives of social and economic organization have been a deep part of our ancestry all along . No recent book is gaining faster traction in the artworld right now. Artists, take note." -- Art Review "This sweeping and novel synthesis exploring the arc of the human condition . may well prove to be the most important book of the decade, for it explodes deeply held myths about the inevitability of our social lives dominated by the state.
It is at once a sophisticated analysis packaged in accessible prose that moves briskly in the unfolding tale of humanity''s many forms of being and becoming." -- James H. McDonald, New York Journal of Books "With vivid narrative prose and rich detail. [ The Dawn of Everything ] take[s] readers on a myth-busting journey through the inner workings of prehistoric and historic societies around the world, showcasing the remarkable intelligence and agency of ancient peoples and the diverse societal solutions that they helped shape . Like Graeber, The Dawn of Everything is a rabble-rouser--a great book that will stimulate discussions, change minds, and drive new lines of research." -- Erle C. Ellis, Science " The Dawn of Everything , chockablock with archaeological and ethnographic minutiae, is an oddly gripping read. Graeber, who did his fieldwork in Madagascar, was well known for his caustic wit and energetic prose, and Wengrow, too, has established himself not only as an accomplished archaeologist working in the Middle East but as a gifted and lively writer .
an imaginative success . At its core is a fascinating proposal about human values, about the nature of a good and just existence." -- Kwame Anthony Appiah, The New York Review of Books "An ingenious new look at ''the broad sweep of human history'' and many of its ''foundational'' stories . [Graeber and Wengrow] take a dim view of conventional accounts of the rise of civilizations, emphasize contributions from Indigenous cultures and the missteps of the great Enlightenment thinkers, and draw countless thought-provoking conclusions . A fascinating, intellectually challenging big book about big ideas." -- Kirkus Reviews [starred review] "Pacey and potentially revolutionary . the argument of the book is firmly based on a deluge of recent evidence that suggests that pre-agricultural societies were complex, that agriculture was not the sudden turning point it is claimed to be and, most importantly, that large, successful systems such as cities have been run without central, rule-giving controllers . This is more than an argument about.