1 Introduction1.1 Stories of the Past1.2 History and Fiction1.3 Beyond the Novel1.4 A Fiction 'Process'1.5 Overall Structure 2 The Literary Tourism Process2.1 Introduction2.2 Thomas Hardy - Wessex and Dorset2.

3 Jane Austen - Interpretation through Association2.4 Conclusion: Literary Tourism and the Classic Fiction Process Model 3 The Adaptation Process3.1 Introduction3.2 The 'Classic' Novel Canon and Film and TV adaptations3.3 Far from the Madding Crowd - Recreating Wessex3.4 North and South - Consumer Perceptions of Milton3.5 Conclusion: Adaptation and the Classic Fiction Process Model 4 The Critical Process4.1 Introduction4.

2 Thomas Hardy and the London Critics4.3 Elizabeth Gaskell and William Rathbone Greg4.4 Conclusion: Criticism and the Classic Fiction Process Model 5 The Writing Process5.1 Introduction5.2 Jane Austen and Hampshire5.3 Elizabeth Gaskell and Manchester5.4 Conclusion: Writing and the Classic Fiction Process Model 6 J.B.

Priestley's The Good Companions - Discerning History6.1 Introduction6.2 J.B. Priestley and The Good Companions6.3 Mind Mapping the World of The Good Companions6.3.1 Mind Maps as a technique6.

3.2 Mind Mapping - Analysis and Summary6.4 Textual Interpretation of the Yorkshire of The Good Companions6.4.1 Interpretive Footnotes as a technique6.4.2 Textual interpretation - Analysis and Summary6.5 Analysing Adaptations of the World of The Good Companions6.

5.1 The Good Companions on Film6.5.2 Comparing adaptations - Faithfulness to the Novel6.5.3 Comparing Adaptations - Faithfulness to the Period6.5.4 Comparing Adaptations - Summary6.

6 Visiting Priestley's World6.6.1 Priestley and Bradford6.6.2 Visiting the Bradford of The Good Companions and Bright Day6.6.3 Visiting Priestley's World - Summary6.7 Conclusion: The Good Companions as a Historical Resource 7 Stories of the Past: Conclusions.