NPR -- Groom serves up his story's twists and turns,even the more predictable ones, with a light touch. Even as he questions thenature of capital-R Reality, he manages to resist self-important dramatics. As aresult, while Amala's story isn't as profound as he might have hoped, it'sintricate and unpredictable enough to be consistently engaging. Of course, somepart of the credit goes to artists Eduardo Ferigato and Marcelo Costa.Ferigato's designs for the characters and their worlds are vivid and capable. Ifhe's a bit inconsistent - particularly when it comes to drawing Rebecca - hisfigures generally exude energy and spontaneity. Costa had a delightful job cutout for him (who wouldn't want to color a succession of video game scenarios anddrug trips?) and he makes the most of it. Aided by the artists, Groom sustains a sense oflightheartedness and a lack of pretension that excuse the familiarity of hiscentral concept.

Amala may not be the first self-aware character to come along -or the tenth, or the twentieth - but she's a likable addition to this quirkysubgenre. Self/Made makes questioning the nature of reality a fun way tospend an afternoon.