Part 1 Introduction Chapter 2 Postwar German Cinema and the Horror Film: Thoughts on Historical Continuity and Genre Consolidation Part 3 Part 1: The Long Shadow of Weiman: Expressionism and Postwar German Horror Film Chapter 4 Fritz Lang's Dr. Mabuse Trilogy and the Horror Genre, 1922-1960 Chapter 5 Peter Lorre's Der Verlorene : Trauma and Recent Historical Memory Chapter 6 Hollywood Horror Comes to Berlin: A Critical Reassessment of Robert Siodmak's Nachts, wenn der Teufel kam Part 7 Part 2: German Autorenkino and Horror Film: Influences, Dialogues, Exchanges Chapter 8 The Shadow and the Auteur: Herzog's Kinski, Kinski's Nosferatu, and the Myths of Authorship Chapter 9 History, Homage, and Horror: Fassbinder, Raab, Lommel and the Tenderness of Wolves (1973) Chapter 10 Joy-Boys and Docile Bodies: Surveillance and Resistance in Romuald Karmakar's Der Totmacher Part 11 Part 3: New German Horror Film: Between Global Cinema and the Hollywood Blockbuster Chapter 12 Introducing "The Little Spielberg": Roland Emmerich's Joey as Reverent Parody Chapter 13 To Die For: Der Fan and the Reception of Sexuality and Horror in the Early 1980s German Cinema Chapter 14 "Not to scream before or about , but to scream at death": Haneke's Horrible Funny Games Part 15 Part 4: Beyond Aesthetics, Against Aesthetics: German Splatter Film Chapter 16 Better Living Through Splatter: Christoph Schlingensief's Unsightly Bodies and the Politics of Gore Chapter 17 Buttgereit's Poetics: Schramm as Cinema of Poetry Chapter 18 Necrosexuality, Perversion, and Jouissance : The Experimental Desires of Jörg Buttgereit's NekRomantik Films Part 19 Part 5: Interviews: Three German Horror Film Directors Chapter 20 Good News from the Underground: A Conversation with Jörg Buttgereit Chapter 21 Hunting the Innocents: A Conversation with Robert Sigl Chapter 22 Loneliness, Passion, Melancholia: A Conversation with Nico Hoffmann Part 23 Index Part 24 About the Editors and Contributors.