Acknowledgements; Preface; Gary Genosko; Part One - Rhythmic Ecology: An Introduction to Scaping; Introduction: Rhythm, the Map and the Territory; 1. Rhythm and Desire; 1. The First Synthesis of the Living Present The Connective Synthesis of Production; 2. The Second Synthesis of Memory The Disjunctive Synthesis of Recording; 3. The Third Synthesis of the Future The Conjunctive Synthesis of Consumption-Consummation; 4. Arrhythmia ? ? Hyperrhythmia; 5. Chapter 1 Reprise; 2. Scaping: Revolutionary Rhythmanalysis; 1.

Scaping as Immanent Critique; 2. Scaping as Naturalist Ecology; 3. Aesthetic Interventionism: A Rhythmic-Sculptural Refrain; 3.1. Aesthetic Interventionism; 3.2. Extemporaneous Counter-Actualisation; 3.3.

Rhythmic Dramatisation; 4. Rhythm & Revolutionary Pluralism; 5. Chapter 2 Reprise; 3. A Critique of the Rhythms of Everyday Life; 1. Everyday Life; 2. The Rhythmic Production of Subjectivity or Rhythmic Processes of Individuation; 3. Rhythmic Subjection; 4. Rhythmic Containment; 5.

Conclusion; 6. Chapter 3 Reprise; Part Two - Mindscaping the Rhythms of Everyday Life; 4. Distraction-Attention Ecology; 1. [CC1]: Distraction-Subjection-Containment; 2. Minority Experiment One: Copyfarleft Co-operatives/Collectives; 3. Sculptural Process One: The Sculpting of Co-operative Networks; 4. Conclusion; 5. Chapter 4 Reprise; 5.

Happiness-Depression Ecology; 1. [CC2]: Happiness-Subjection-Containment; 2. Minority Experiment Two: Milieu Therapeutics/Institutional Schizoanalytics; 3. Sculptural Process Two: Sculpting Caring Milieus; 4. Conclusion; 5. Chapter 5 Reprise; 6. Debt-Credit Ecology; 1. [CC3]: Debt-Subjection-Containment; 2.

Minority Experiment Three: Strike Debt; 3. Sculptural Process Three: The Sculpting of New Modes of Exchange; 4. Conclusion; 5. Chapter 6 Reprise; Conclusion: The Rhythmanalytical Project and the Way of Rhythm (Endtroduction); Postscript; Conor Heaney & Iain MacKenzie; Bibliography; Index.