Michael St. John's work conveys a sustained commitment to observing and re-presenting experiences of the everyday. Confronting the failed promise of the American Dream and the divide between fame and anonymity, St. John gathers source materials by casting an inclusive and penetrating gaze on the world through which he moves. Underlying this recalibration of the growing circuit of visual information is an insightful and rigorous formal practice informed by Rauschenberg, Warhol, Ashcan School artists, and 19th-century American trompe l'oeil painting. With a dedication to recognize and commemorate the time we live in, St. John's work reflects on notions of violence, tragedy, narcissism, racism, and indifference, drawing stimulating connections that kindle new and compassionate perspectives on contemporary culture.St.

John has shown his work extensively over the past thirty years in museums, alternative spaces and galleries throughout the United States. He has presented solo exhibitions at de boer, Los Angeles, CA; Andrea Rosen Gallery New York, NY; team (gallery, inc.), New York, NY; Karma, New York, NY; Edward Cella, Los Angeles, CA; Ashes/Ashes, New York, NY; and Marvelli Gallery, New York, NY. Group exhibitions include Marlborough Contemporary, New York, NY; CCS Bard/Hessel Museum of Art, Annandale-on-Hudson, NY; The Rubell Family Collection/Contemporary Arts Foundation, Miami, FL; Tang Teaching Museum at Skidmore College, Saratoga Springs, NY; Rental Gallery, New York, NY; Greene Naftali, New York, NY; Weatherspoon Art Museum, Greensboro, NC; and Andrew Kreps Gallery, New York, NY. His work has been featured in The New York Times, Artnet, Art in America, Artnews, BOMB Magazine, W Magazine, and Cultured Magazine. St. John's paintings are held in numerous public collections, including The Rubell Family Collection, Weatherspoon Art Museum, MIT List Visual Arts Center, The Tang Teaching Museum, and the Zabludowicz Collection.