List of Illustrations List of Tables List of Appendices Preface 1. Foundations Dalinian Quixotism Defining Classicism: Dalí, Freud, Sublimation, and Imitation Conscious versus Unconscious; Public versus Private Ut pictura poesis: Dalinian Narrative and Criticism Object as Fetish: Lacan's L'objet petit a and Salvador Dalí's Clédalism Experto credite: Dalí's Quixotic Sally to the United States 2. Materialities The 1946 Edition: Publishers, Economic Woes, and Literature Public Documents: Unforeseen Challenge and Success Revival of Literature Private Documents: Random House Records A Quixotic Cast of (Random House) Characters The Adventure of the Missing Illustrations 3. Receptions Salvador Dalí in an Unpredictable World Malgré Lui: Past Political Polemics Surrealism and Avant-Garde as Kitsch Popular Culture and Translations: Peter Motteux US Academic Reception Battling the Black Legend 4. Illustrations Engaging Beholders: Dalinian Didacticism and Academic Art Battling Surrealism as Kitsch: Futurity of Renaissance Classicism and Baroque Methodologies Classicism and Myth: Don Quixote's First Sally with Phoebus and Aurora Pictorial Diegesis: Don Quixote and the Windmills Fantasy and Reality: Don Quixote and the Adventure of the Flock of Sheep (Not So) Impossible Dreams: Surrealism in Dalí's Other Seven 1946 Watercolours Respecting Narratives: Dalí's Black and White Line Drawings 5. Traditions Illustrating Don Quixote: Academic Conversations at the Four-Hundred-Year Anniversary of Part I (2005) Sister Arts: Literature and Book Illustration Illustrative Trends: Foundational Early Illustrated Editions of Don Quixote Spanish Illustrators: Neoclassical Spanishness in the 1780 Royal Spanish Academy Edition French Romanticism: Tony Johannot (1836) and Gustave Doré (1863) Pictorial Benchmarks: Book Illustrations of Don Quixote and the Windmills before Dalí Imitatio: Dalinian Compositional Tropes in Book Illustrations after 1946 Epilogue Works Cited Index.