Academic organizations/conferences:American Musicological SocietyRoyal Musical AssociationInternational Musicological SocietyMusic and Philosophy19th-Century MusicMusic since 1900Author's speaking engagements:In addition to academic conference appearances, I have also done a great deal of speaking to general audiences (radio and TV broadcasts and pre-performance lectures for many of the UK's top orchestras and opera companies). I'm happy to send details of upcomingengagements to a marketing contact.Publications for advertisement:Journal of the American Musicological SocietyNineteenth-Century MusicTwentieth-Century MusicThe Musical QuarterlyMusic and LettersJournal of the Royal Musical SocietyThe Musical Times[I'd be very keen to see it also advertised in journals of intellectual and cultural history]Potential export markets:In addition to the US and the UK, there are significant English-speaking musicologicalcommunities in:Mainland Europe (especially France, Germany, Scandinavia, Holland, Ireland)Australia and New ZealandSouth AfricaJournals for review:Journal of the American Musicological SocietyNineteenth-Century MusicTwentieth-Century MusicThe Musical QuarterlyCurrent MusicologyMusic and LettersJournal of the Royal Musical SocietyActa MusicologicaArchiv für MusikwissenschaftInternational Review of the Aesthetics and Sociology of MusicThe Journal ofMusicologyThe Musical TimesNotesRevue de musicologieAuthor's special contacts for promotion:BBC Radio 3I've done a lot of work for this radio station and know several producers and presenters there. Since my book addresses not only their core repertoire but also, implicitly, has to do with why this music has current value, it should be of concern to them and their listeners. Books are reviewed on at least one of their weekly programmes - 'Music Matters', presented by TomService (whom I know reasonably well).BBC Radio 4The advantage of this over Radio 3 is it's heard by a wider audience. Since my book seeks to restore music to the wider history of modernity it should be of interest to those programmes that deal with broad issues of intellectual and cultural history as well as issues of current concern. Guardian NewspaperI have written for the Guardian in the past and it might be worth asking if they would consider a piece based on thecentral idea of the book.

My contact there was Imogen Tilden.Selling point: A new and wholly unique telling of music historySelling point: Examines music in terms of key categories of modernity: time, space, and languageSelling point: Argues that music offers specific insights into the nature of modernity.