Ken Gonzales-Day - History's Nevermade : History's Nevermade
Ken Gonzales-Day - History's Nevermade : History's Nevermade
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Author(s): JONES
ISBN No.: 9781835951378
Pages: 352
Year: 202508
Format: Trade Paper
Price: $ 68.93
Dispatch delay: Dispatched between 7 to 15 days
Status: Available (Forthcoming)

List of Figures Director''s Foreword Bethany Montagano Acknowledgments Amelia Jones Introduction : Visualizing History''s "Nevermade" Introduction: Ken Gonzales-Day''s "Nevermade" and the Embodied Reworking of Discourse Amelia Jones Section 1: Finding a Path (Early Work) Introduction to Section 1 Amelia Jones 1. Finding a Path: Amelia Jones in Conversation with Ken Gonzales-Day 2. Ken Gonzales-Day Narrative Timeline Nadia Estrada and Yumu Huo (with Amelia Jones) Section 2: Rethinking History (Queering/Decolonizing the Family) Introduction to Section 2 Amelia Jones 3. Excerpts from Ramoncita Gonzales [aka Ken Gonzales-Day], The Bone Grass Boy: The Secret Banks of the Conejos River (New York: Charles Scribner''s Sons, 1892/1996) Ken Gonzales-Day , "Foreword" Kenny Gonzales [aka Ken Gonzales-Day] , "Preface" 4. The Archive and the Nevermade: Queer, Trans, and Two-Spirit Histories in Ken Gonzales-Day''s Bone-Grass Boy Ren Heintz Section 3 : Rethinking History (Archives) Introduction to Section 3 Amelia Jones 5. The Space Between: The Lynching Project Ken Gonzales-Day 6. Spectacularizing the Sacrifice: Ken Gonzales-Day''s Erased Lynching Series Cyrielle Lévêque 7. Searching for a Brown Commons: Racial Affect and Re-Enactment in Ken Gonzales-Day''s Lynching Projects Mary Coffey Section 4: Collecting Race (Skin/Museums) Introduction to Section 4 Amelia Jones 8.


"Race, Whiteness, and Absence in Studio Practice" Ken Gonzales-Day 9. Profiled Ken Gonzales-Day 10. "Different Measures: From Xipe Totec to Facial Recognition to System Overload " Ken Gonzales-Day 11. Metropolitan Division: Ken Gonzales-Day between the Getty Museum and the LAPD Jason Hill 12. The Profiled Series and Hemispheric Racial Formations Tatiana Flores Section 5: Forging Community (Publics) Introduction to Section 5 Amelia Jones 13. Bringing Art Out of the Museum Ken Gonzales-Day 14. Art as Propaganda: Advertising for Racial Equality in Ken Gonzales-Day''s Public Art Ana Briz 15. Stepping into Memory: Ken Gonzales-Day and the Alternative Los Angeles Nadia Estrada Section 6: Imaging Bodies (Portraits) Introduction to Section 6 Amelia Jones 16.


Queer-ish: Photography and the LGBTQ+ Imaginary Ken Gonzales-Day 17. Of Life as a Menace and a Shield: The Memento Mori and Pandemic Portrait Series Taína Caragol 18. Ken Gonzales-Day''s Embodied Brown Historicity: Cecilia Fajardo-Hill in with Amelia Jones Section 7 : Redrawing Boundaries (Land) Introduction to Section 7 Amelia Jones 19. Another Land / Decolonial Drawings Ken Gonzales-Day 20. Engaging an Elder and Tracing the Past: Ken Gonzales-Day and Steve Pratt in Dialogue Contributor Biographies Index Ken Gonzales-Day Works.


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