From the book's introductory remarks. FOR half a century the Philharmonic Society of New York has been the most conspicuous, dignified, and stable musical institution in the American metropolis. Its history embraces the whole period in which symphonic music of the highest class has been effectively cultivated by professional musicians in the United States. It is not only the oldest established orchestra in the country, but was also the first organization capable of performing a classic symphony whose members banded together for that specific purpose. As an influence in the musical development of America it occupies a place by the side of the Handel and Haydn Society of Boston. As the latter inculcated a love for choral music in its members, which, like zealous missioners, they carried into all parts of the country, so the Philharmonic Society has stimulated the organization of orchestras in the chief cities of the United States, and recruited many of them. Its concerts challenge more thoughtful attention than the doings of any musical institution in the land. They mean more.

Their purpose is more earnestly, more consistently, and more singly artistic. The audiences, which gather to hear them twice a month during the period which compasses the musical season in New York City, are composed of the fine flower of the city's music lovers. They are untouched by those freaks of fashion which determine the success or failure of the. majority of popular entertainments. They are as loyal to the best interests of the art as the performers themselves, and their judgment commands the unqualified respect of the reviewers for the newspaper press.