Acknowledgements Introduction Twenty-First-Century Symbolism: Individuation and Practice: Verlaine, Baudelaire, Mallarmé Chapter 1: Haiku-Verlaine i. Discrete Ecstasies ii. Haiku-individuation iii. Individuation in Simondon iv. Verlainian Haiku Conclusion Chapter 2: The Verlaine-Environment i. Verlaine and the Image ii. Three Verlaine-Readers: Bernadet, Richard and Scott iii. Verlaine Today iv.

The Verlaine-Environment Coda: In the Grass. Chapter 3: Affectivity and Ecology in Baudelaire's Twilight i. The Affective Ecology of 'Le Crépuscule du soir': Baudelaire and Massumi ii. Phenomenology and Spiritual Materialism: Poulet and Poe iii. The Politics of Atmospheres: Chambers and Rancière Conclusion Chapter 4: Baudelaire and the Power of Colour i. The Process-Relational World of Colour ii. The Colour of the Sun: Baudelaire with Cézanne iii. Baudelaire Was Never Modern: Art as Ecological Practice Coda: From Baudelaire to Mallarmé Chapter 5: Mallarmé and the Individu-Livre i.

The Book-Event: Politics and Beauty ii. The Book as Practice iii. The Production of the Individu-Livre Chapter 6: Mallarmé's Demonic Media Theory i. Demonic Modulations ii. Mallarméan Individuation and Twenty-First-Century Media iii. Mallarmé and Cybernetics iv. The Livre and the Anti-Livre Coda: Is Mallarmé Digital? Conclusion Bibliography Index.