Preface Part 1: The Foundations of Tonal Music Chapter 1A: Musical Space Chapter 1B: Musical Time: Pulse, Rhythm, and Meter Chapter 2: Harnessing Space and Time: Introduction to Melody and Two-Voice Counterpoint Chapter 3: Musical Density: Triads, Seventh Chords, and Texture Part 2: Merging Melody and Harmony Chapter 4: When Harmony, Melody, and Rhythm Converge Chapter 5: Tonic and Dominant as Tonal Pillars and Introduction to Voice Leading Chapter 6: The Impact of Melody, Rhythm, and Meter on Harmony; Introduction to V7; and Harmonizing Florid Melodies Chapter 7: Contrapuntal Expansions of Tonic and Dominant: Six-Three Chords Chapter 8: More Contrpuntal Expansions: Inversions of V7, Introduction to Leading-Tone Seventh Chords, and Reduction and Elavoration Part 3: A New Harmonic Function, The Phrase Model, and Additional Melodic and Harmonic Embellishments Chapter 9: The Pre-Dominant Function and the Phrase Model Chapter 10: Accented and Chromatic Embellishing Tones Chapter 11: Six-Four Chords, Revisiting the Subdominant, and Summary of Contrapuntal Expansions Chapter 12: The Pre-Dominant Refines the Phrase Model Part 4: New Chords and New Forms Chapter 13: The Submediant: A New Diatonic Harmony, and Further Extensions of the Phrase Model Chapter 14: The Mediant, the Back-Relating Dominant, and a Synthesis of Diatonic Harmonic Relationships Chapter 15: The Period Chapter 16: Other Small Musical Structures: Sentences, Double Periods, and Modified Periods Chapter 17: Harmonic Sequences Part 5: Functional Chromaticism Chapter 18: Applied Chords Chapter 19: Tonicization and Modulation Chapter 20: Binary Form and Variations Part 6: Expressive Chromaticism Chapter 21: Modal Mixture Chapter 22: Expansion of Modal Mixture Harmonies: Chromatic Modulation and the German Lied Chapter 23: The Neapolitan Chord (bII) Chapter 24: The Augmented Sixth Chord Part 7: Large Forms: Ternary, Rondo, Sonata Chapter 25: Ternary Form Chapter 26: Rondo Chapter 27: Sonata Form Part 8: Introduction to Nineteenth-Century Harmony: The Shirt from Asymmetry to Symmetry Chapter 28: New Harmonic Tendencies Chapter 29: Melodic and Harmonic Symmetry Combine: Chromatic Sequences Part 9: Twentieth and Twenty-First-Century Music Chapter 30: Vestiges of Common Practice and the Rise of a New Sound World Chapter 31: Noncentric Music: Atonal Concepts and Analytical Methodology Chapter 32: New Rhythmic and Metric Possibilities, Ordered PC Relations, and Twelve-Tone Techniques Appendices Appndix 1: Invertible Counterpoint, Compound Melody, and Implied Harmonies Appendix 2: The Motive Appendix 3: Additional Harmonic-Sequence Topics Appendix 4: Abbreviations and Acronyms Appendix 5: Selected Answers to Textbook Exercises Glossary Index.