"The Clean . pioneered the loose psychedelic sound that made its country famous in underground circles in the 1980s. Any visit from the Clean would thrill aficionados. Each song pulsated as if it had its own circulation system, with subtle movements in tone and melody shifting the stream." - New York Times "It fell to the men of the Clean - David Kilgour, his brother Hamish, and various associates - to unveil the New Zealand sound in its full shabby glory. They began as rank teenage amateurs, and to a certain extent they stayed that way. Even when David learned to play guitar, he avoided pedantries of exact pitch in his vocals. But the songs had an indelibly catchy lilt, pop glamour surging out of the basement, and David's hoarsely shouted lyrics spoke to the existentialism of artists on the dole .

Even though "Tally Ho" and various later efforts climbed into the New Zealand charts, this was a band with which executives were not wont to tamper." - Alex Ross, New Yorker, author of The Rest is Noise "The Clean made some of the music that has meant most to me in my life. The band's exuberant style effortlessly fused post-Velvets garage drone with the spacious, edge-of-the-world feel of the New Zealand landscape, birthing a euphoric, naive and inexhaustibly affirmative form of DIY that opened the floodgates for the NZ pop revolution." - David Keenan, novelist and author of Volcanic Tongue "I'm a fan of everything they ever did.'"-- Ira Kaplan, Yo La Tengo "The Clean delivered raw current with laconic beauty. I'd never known anything like it. It made me ecstatic. It proved other worlds.

"-- Alastair Galbraith, The Rip "The Clean continued to mesmerise . they really were the ultimate cool, independently minded band . they showed us the way." -- Roger Shepherd, founder of Flying Nun Records "Aotearoa has many musical heroes, but only a handful can claim to have changed the culture. The Clean did with their very first handful of releases."-- Simon Grigg, writer, founder of Propeller Records and AudioCulture Iwi Waiata "There has yet to be a book that tells the story of the band at the heart of New Zealand underground music and that became synonymous with things like Flying Nun Records and the "Dunedin Sound" that travelled around the world. It is much needed and long overdue. It is written by the ideal author who was not only there when it all happened, but who also recognised why it really mattered more than most.

" - Matthew Goody, author of Needles and Plastic: Flying Nun Records, 1981-1988.