Introduction - Julia Boffey and Christiania WhiteheadEditings Issues in Middle English Lyrics - Thomas G. DuncanMoving Lights: An Affective Reading of On leome is in þis world ilist and Church Wall Paintings - Ayoush LazikaniBlood and Chocolate: Affective Layering in Swete Ihesu, now wil I synge - Daniel McCannTextual and Affective Stability in All Other Love is Like the Moon - Michael KuczynskiThe Unlikely Landscapes of On God Ureisun of Ure Lefdi - Annie Sutherland''Adreynt in shennesse'': Blood, Shame and Contrition in Quis est iste qui uenit de Edom? - Hetta Elizabeth HowesIhesus woundes so wide and the fons vitae: Text, Image and the Manuscript Context - Natalie Jones''Written in gold upon a purple stain'': Mariological Rhetoric and the Material Culture of Aureate Diction - Anne Marie D''ArcyTextual Lyricism in Lydgate''s Fifteen Joys and Sorrows of Mary - Mary WellesleyVoice and Response: Lyric Rewriting of the Song of Songs - Anne Baden-DaintreeCompiling the Lyric: Richard Rolle, Textual Dynamism and Devotional Song in London, British Library, Additional MS 37049 - Katherine ZiemanLyric Interventions in Troilus and Criseyde - Elizabeth RobertsonPoems that Speak Volumes: Lydgate''s Thoroughfare of Woe, and Lyric as Epitome - Julia Boffey''Short song is good in ale'': Charles d''Orléans and Authorial Intentions in the Middle English Ballade 84 - Denis ReneveyAll Adam''s Children: The Early Middle English Lyric Sequence in Oxford, Jesus College, MS 29 (II) - Susanna FeinMusical and Poetic Form in Stond wel, moder, under rode - Christiania WhiteheadTutivillus and the Policing of Speech in Oxford, Bodleian Library, MS Douce 104 - Mary C. FlanneryHave This in Mind: Word and Image in Audelay''s Writing - Jane Griffiths''The Dance of the Intellect among Words'': Wyatt''s In eternum and Late Medieval Lyric Practice - Joel GrossmanAfterword: The Study of Medieval Lyrics in 1960s Oxford and Today - John C. HirshBibliographyonal Song in London, British Library, Additional MS 37049 - Katherine ZiemanLyric Interventions in Troilus and Criseyde - Elizabeth RobertsonPoems that Speak Volumes: Lydgate''s Thoroughfare of Woe, and Lyric as Epitome - Julia Boffey''Short song is good in ale'': Charles d''Orléans and Authorial Intentions in the Middle English Ballade 84 - Denis ReneveyAll Adam''s Children: The Early Middle English Lyric Sequence in Oxford, Jesus College, MS 29 (II) - Susanna FeinMusical and Poetic Form in Stond wel, moder, under rode - Christiania WhiteheadTutivillus and the Policing of Speech in Oxford, Bodleian Library, MS Douce 104 - Mary C. FlanneryHave This in Mind: Word and Image in Audelay''s Writing - Jane Griffiths''The Dance of the Intellect among Words'': Wyatt''s In eternum and Late Medieval Lyric Practice - Joel GrossmanAfterword: The Study of Medieval Lyrics in 1960s Oxford and Today - John C. HirshBibliographyonal Song in London, British Library, Additional MS 37049 - Katherine ZiemanLyric Interventions in Troilus and Criseyde - Elizabeth RobertsonPoems that Speak Volumes: Lydgate''s Thoroughfare of Woe, and Lyric as Epitome - Julia Boffey''Short song is good in ale'': Charles d''Orléans and Authorial Intentions in the Middle English Ballade 84 - Denis ReneveyAll Adam''s Children: The Early Middle English Lyric Sequence in Oxford, Jesus College, MS 29 (II) - Susanna FeinMusical and Poetic Form in Stond wel, moder, under rode - Christiania WhiteheadTutivillus and the Policing of Speech in Oxford, Bodleian Library, MS Douce 104 - Mary C. FlanneryHave This in Mind: Word and Image in Audelay''s Writing - Jane Griffiths''The Dance of the Intellect among Words'': Wyatt''s In eternum and Late Medieval Lyric Practice - Joel GrossmanAfterword: The Study of Medieval Lyrics in 1960s Oxford and Today - John C. HirshBibliographyonal Song in London, British Library, Additional MS 37049 - Katherine ZiemanLyric Interventions in Troilus and Criseyde - Elizabeth RobertsonPoems that Speak Volumes: Lydgate''s Thoroughfare of Woe, and Lyric as Epitome - Julia Boffey''Short song is good in ale'': Charles d''Orléans and Authorial Intentions in the Middle English Ballade 84 - Denis ReneveyAll Adam''s Children: The Early Middle English Lyric Sequence in Oxford, Jesus College, MS 29 (II) - Susanna FeinMusical and Poetic Form in Stond wel, moder, under rode - Christiania WhiteheadTutivillus and the Policing of Speech in Oxford, Bodleian Library, MS Douce 104 - Mary C.

FlanneryHave This in Mind: Word and Image in Audelay''s Writing - Jane Griffiths''The Dance of the Intellect among Words'': Wyatt''s In eternum and Late Medieval Lyric Practice - Joel GrossmanAfterword: The Study of Medieval Lyrics in 1960s Oxford and Today - John C. HirshBibliographynd Criseyde - Elizabeth RobertsonPoems that Speak Volumes: Lydgate''s Thoroughfare of Woe, and Lyric as Epitome - Julia Boffey''Short song is good in ale'': Charles d''Orléans and Authorial Intentions in the Middle English Ballade 84 - Denis ReneveyAll Adam''s Children: The Early Middle English Lyric Sequence in Oxford, Jesus College, MS 29 (II) - Susanna FeinMusical and Poetic Form in Stond wel, moder, under rode - Christiania WhiteheadTutivillus and the Policing of Speech in Oxford, Bodleian Library, MS Douce 104 - Mary C. FlanneryHave This in Mind: Word and Image in Audelay''s Writing - Jane Griffiths''The Dance of the Intellect among Words'': Wyatt''s In eternum and Late Medieval Lyric Practice - Joel GrossmanAfterword: The Study of Medieval Lyrics in 1960s Oxford and Today - John C. HirshBibliography.