"This is a book just the way I don't like them," the father of French Symbolism, Steacute;phane Mallarmeacute;, informs the reader in his preface to Divagations: "scattered and with no architecture." On the heels of this caveat, Mallarmeacute;'s diverting, discursive, and gorgeously disordered 1897 masterpiece tumbles forth--and proves itself to be just the sort of book his readers like most.The salmagundi of prose poems, prose-poetic musings, criticism, and reflections that is Divagations has long been considered a treasure trove by students of aesthetics and modern poetry. If Mallarmeacute; captured the tone and very feel of fin-de-siegrave;cle Paris, he went on to captivate the minds of the greatest writers of the twentieth century--from Valeacute;ry and Eliot to Paul de Man and Jacques Derrida. This was the only book of prose he published in his lifetime and, in a new translation by Barbara Johnson, is now available for the first time in English as Mallarmeacute; arranged it. The result is an entrancing work through which a notoriously difficult-to-translate voice shines in all of its languor and musicality.Whether contemplating the poetry of Tennyson, the possibilities of language, a masturbating priest, or the transporting power of dance, Mallarmeacute; remains a fascinating companion--charming, opinionated, and pedantic by turns. As an expression of the Symbolist movement and as a contribution to literary studies, Divagations is vitally important.

But it is also, in Johnson's masterful translation, endlessly mesmerizing.