".[S]uper-sexy, uber-sleazy, super-weird. I can't think of another book that feels like a Peter Saul painting, reads like the diary of someone's darkest fantasy, and never for a second lets you forget that it's the most unreal version of a 'realistic' subject ever put to paper. Like a pop song written by a masterful craftsman, there's never a verse that goes on too long or loses the overall rhythm, even when he's riffing off into a Hendrix-like frenzy of spontaneity and power chords. The book builds to a complete orchestral crescendo, making its message about the retarded nature of a mind that thrives on pulp violence unmistakably clear. Everything he is hinting at about how this phenomenon is at the center of modern American culture is pretty clear too.".
The Terror Assaulter (O. M. W. O. T)