Bad History and the Logics of Blockbuster Cinema : Titanic, Gangs of New York, Australia, Inglourious Basterds
Introduction:Truth, History, and Counterdisciplinary Practices in Film Studies Terrible Beauties: Messianic Time and the Image of Social Redemption inJames Cameron's Titanic Infinite History: Martin Scorsese's Gangs of New York and the Productionof the Inexistent 'No Dreaming, No Story, Nothing': Baz Luhrmann's Australia , theCinematic Common, and Postcolonial Discourse Conclusion:The Glorious Truth about Inglorious History in Quentin Tarantino's Inglourious Basterds.