'This is a wonderfully insightful, frank, exciting and heartbreaking read. Bricks and Mortar is like diving into a Force 10 gale of reality, full of strange voices, terrible events and a vision of neoliberal capitalism that is chillingly accurate.' -- A. L. Kennedy, author of Serious Sweet 'The point of Im Stein [ Bricks and Mortar ] is that nothing's "in stone": Clemens Meyer's novel reads like a shifty, corrupted collocation of .docs, lifted off the laptop of a master genre-ist and self-reviser. It's required reading for fans of the Great Wolfgangs (Hilbig and Koeppen), and anyone interested in casual gunplay, drug use, or sex.' -- Joshua Cohen, author of The Netanyahus, winner of the 2022 Pulitzer Prize for Fiction 'A journey to the end of the night for twentieth/ twenty-first century Germany.

Meyer reworks Döblin and Céline into a modern epic prose film with endless tracking shots of the gash of urban life, bought flesh and the financial transaction (the business of sex); memory as unspooling corrupted tape; journeys as migrations, as random as history and its splittings. A shimmering cast threatens to fly from the page, leaving only a revenant's dream - sky, weather, lights-on-nobody-home, buried bodies, night rain. What new prose should be and rarely is; Meyer rewrites the rules to produce a great hallucinatory channel-surfer of a novel.' -- Chris Petit, author of Robinson 'Meyer's multifaceted prose, studded with allusions to both high and popular culture, and superbly translated by Katy Derbyshire, is musical and often lyrical, elevating lowbrow punning and porn-speak into literary devices . [ Bricks and Mortar ] is admirably ambitious and in many places brilliant - a book that not only adapts an arsenal of modernist techniques for the twenty-first century but, more importantly, reveals their enduring poetic potential.' -- Anna Katharina Schaffner, Times Literary Supplement '[ Bricks and Mortar is a] stylistic tour de force about the sex trade in Germany from just before the demise of the old GDR to the present, as told through a chorus of voices and lucidly mangled musings. The result is a gripping narrative best described as organic.' -- Eileen Battersby, Irish Times.