"Morley is a bright writer, and most of his commentary on specific pieces and composers is sophisticated and insightful." - The New York Times Book Review "A thoughtful work full of fresh observations and strong opinions. [Morley's] writing strikes just the right note: erudite but edgy, entertaining but enlightening. An excellent guide for anyone interested in expanding their musical horizons." -- Library Journal "Morley delivers many perceptive, tunefully written passages" -- Publishers Weekly "An intoxicating journey into classical music. [Morley] expertly probes classical composers' agitated minds and collective oeuvres. Adeptly framing observations of pop, rock, and classical music within the context of the industry, Morley also underscores extraordinary changes in our time, highlighting the rapid growth of technology and its impact on music. A rich resource for music lovers.

" -- Booklist "Morley's expansive present-tense prose flows from the loosening of the superego, his id let out to play in a style that's at times neo-gonzo, at others like an inspired hybrid of Mik Cohn and the Julian Cope of Krautrocksampler. I hold him to be one of the great pop writers. You might even call him the Bowie of rock journalism." -- Barney Hoskyns, The Guardian on THE AGE OF BOWIE "Morley remains a brilliant conductor - of music, of ideas, of inexplicable flashes of lightning. He knows the score." -- The Sunday Times "If Morley's book is a meta-playlist, it includes some fascinating tracks. Among the questions he asks and answers: Unlike classical compositions, why are pop bands more about the brand than the music? Is there a place for music critics now that there are algorithms that can tell you what to listen to next? Why is abstract art sometimes valued in the millions of dollars, when its contemporary--abstract music--is something you can't own or monetize?" - New York Journal of Books.