Introduction Aristotle and Tragicomedy - Sarah Dewar-Watson The Difficult Emergence of Pastoral Tragicomedy: Guarini's Il Pastor Fido and its Critical Reception in Italy, 1586-1601 - Matthew Trehrene Transporting Tragicomedy: Shakespeare and the Magical Pastoral of the Commedia dell'Arte - Robert Henke The Minotaur of the Stage: Tragicomedy in Spain - Geraint Evans Highly Irregular: Defining Tragicomedy in Seventeenth-Century France - Nick Hammond In Lieu of Democracy, or How Not to Lose Your Head: Theatre and Authority in Renaissance England - Ros King Taking Pericles Seriously - Suzanne Gossett 'The Natural Term?': Shakespearean Tragicomedy and the Idea of the 'Late Play' - Gordon McMullan Shakespeare by the Numbers: On the Linguistic Texture of the Late Plays - Jonathan Hope and Michael Witmore Turn and Counterturn: Merchanting, Apostasy and Tragicomic Form in Massinger's The Renegado - Michael Neill Dublin Tragicomedy and London Stages - Lucy Munro 'Betwixt Both': Sketching the Borders of Seventeenth-Century Tragicomedy - Deana Rankin 'Betwixt Both': Sketching the Borders of Seventeenth-Century Tragicomedy - Deana Rankin 'Betwixt Both': Sketching the Borders of Seventeenth-Century Tragicomedy - Deana Rankin 'Betwixt Both': Sketching the Borders of Seventeenth-Century Tragicomedy - Deana Rankin.
Early Modern Tragicomedy