Contents: Malgorzata Radkiewicz: Searching for a Way of Expression: Analysis of Selected Films by Jane Campion, Sally Potter, and Ulrike Ottinger - Ewa Mazierska-Kerr: Power, Freedom, and Gender in the Films of Atom Egoyan - James I. Deutsch: As the World Ends: Traditional Gender Roles in Apocalyptic Science-Fiction Films of the Late 1990s - John R. Leo: Revisiting the «Family of Man»: Representing Gay Men on American Television Melodrama in the 1980s - Wieslaw Godzic: Sex, Power, and Pleasure: The Phenomenon of Soap Opera - Andrzej Pitrus: Feminist Perspectives on Advertising: Content Analyses - Alison Butler: Under the Skin : Feminism, Realism and British Cinema - László Sári: The Intersection of Race, Class, and Sexuality in Stephen Frears's My Beautiful Laundrette ; or Whose Dirty Laundry is it? - Elzbieta H. Oleksy: «A sparrow with a broken wing. and a shot of vodka»: Constructions of Femininity in Post-War Polish Visual Culture - Elzbieta Ostrowska: Otherness Doubled: Representations of Jewish Women in Polish Cinema - Iwona Kurz: Sexuality on Trial: The Case of Kalina Jedrusik - Michael Stevenson: «I Don't Feel Like Talking to You Anymore»: Gender Uncertainties in Polish Film Since 1989. An Analysis of Psy (W. Pasikowski 1992) - Ekaterina N. Shapinskaya: Social Construction of Gender Roles in Soviet Film - Almira Ousmanova: Fe/Male Gaze, Subjectivity, and Ideology in Classic Soviet Cinema - Iwona Kolasioska: The Third Sex: Cinema and Transsexuality - Agnieszka cwikiel: Female Cyborg: Some Troubles with Gender - Krzysztof Loska: The Birth of the Electronic Body and the Pursuit of Subjectivity - Piotr Sitarski: Can I Be Plural in Muds?: Reflections on Characters in Multi-User Dungeons.