Foreword--Miriam Haddu & Joanna Page * The Space between Fiction and Documentary in Latin American Cinema: Towards a Genealogy--Michael Chanan *PART I: DOCUMENTARY IN FICTION* Deconstructive Effect of the Documentary inCentral do Brasil--Cynthia Tompkins * Filming Psychoanalysis: The Documentation of Paranoia and the Paranoid Gaze in Bunuel'sEl--Julian Gutierrez-Albilla * The Zoological Gaze: Knowledge and Spectatorship in New Argentine Cinema--Joanna Page * Something is Not Quite Right: Recombining Film History in Stan Douglas'Inconsolable Memories--Cecilia Aldarondo * Documenting Urban Fictions in the New Argentine Cinema--James Cisneros *PART II: FICTION IN DOCUMENTARY* Cuban Documentary: Truth or Fiction?--Alexandra Anderson * Between the Image and the Word: Minority Discourses and Community Construction in the Documentary of Eduardo Coutinho--Mariana Cunha * De-referencing the Real: Documentary Mediascapes in the Films of Carlos Marcovich--Geoffrey Kantaris * Film on Sound: Popular Music and Intellectual Authority in Cuban Revolutionary Film of the 1960s--Dylon Robbins * A Tale of Two Cities: The image of Buenos Aires in Contemporary Argentine Cinema--Humberto Perez Blanco *PART III: HYBRID FORMS* Cinematic Hybrids and the Self-Conscious Lens inAro Tolbukhin: en la mente del asesino and Sobreviviente--Miriam Haddu *Cofralandes: A Multi-narrative Space for Chilean Identity--Alejandra Rodriguez Remedi * Mockumentary as Post-nationalism: National Identity inA Day without a Mexican--Armida De la Garza * Globo,Saudade, and the Shaping of National Memory and Consciousness--Matthew Bird.