Preface Acknowledgements Note on the Text Introduction Section 1: The USA Chapter 1: African Americanisation, Black Power and black British drama since the 1970s. Chapter 2: Black Power legacies in Kwame Kwei-Armah's Elmina's Kitchen , Fix Up and Statement of Regret . Chapter 3: African American myths, music, icons in Mojisola Adebayo's Moj of the Antarctic and Muhammad Ali and Me . Section 2: The Caribbean Chapter 4: Creolisation and the creole continuum in Caribbean British drama. Chapter 5: Coming to voice - Roy Williams' The No Boys Cricket Club , Lift Off , Fallout and Sing Yer Heart out for the Lads . Chapter 6: African accents - Bola Agbaje's Gone Too Far! , Detaining Justice and Off the Endz . Section 3: Africa Chapter 7: Home to host-land and the hyphen in-between - African British diasporic dramas since the 1990s. Chapter 8: Multiple personality diasporic disorder - Inua Ellams' The 14thTale and Untitled .

Chapter 9: Empathy in diaspora - debbie tucker green's stoning mary , generations and truth and reconciliation . Conclusion Fallout and Sing Yer Heart out for the Lads . Chapter 6: African accents - Bola Agbaje's Gone Too Far! , Detaining Justice and Off the Endz . Section 3: Africa Chapter 7: Home to host-land and the hyphen in-between - African British diasporic dramas since the 1990s. Chapter 8: Multiple personality diasporic disorder - Inua Ellams' The 14thTale and Untitled . Chapter 9: Empathy in diaspora - debbie tucker green's stoning mary , generations and truth and reconciliation . Conclusion.