Introduction to Volume Two;Part I Brazil; Introduction to Brazil and West Africa - Marina Henriques & Taiwo Afolabi; Chapter 1: ''Pombas Urbanas: sowing wings in a banished city''. - Adailtom Alves Teixeira & Alexandre Falcão de Araújo; Chapter 2: Interview with the Canto da Lagoa Community Theatre Group. - Marcia Pompeo Nogueira; Chapter 3: Theatre crossed by the territory in the work of Grupo Códico-Jorge Braga Jr.; Chapter 4: ''On fantastical journeys, who would save the adolescents from Maré?'' - Marina Henriques; Chapter 5: ''Every Patrol Car has a Little of the Slave Ship: The Emergency of the Listening Place''. - Altemar Di Monteiro; Chapter 6: The Memory of The Contestado War in the Musical Theatre of youth from rural settlements in the south of Brazil. - Elaine Cristina da Silva & Tereza Mara Franzoni; Chapter 7: ''Paraíso do Tuiuti:"I am not a slave of no master": The carnival of 2018 stars in the political debate about the 2016 Coup in Brazil''. - Fátima Costa di Lima; Chapter 8: The power of subtle learning: directions and achievements of the Heliópolis Theatre Company. - Maria Fernanda Vomero;Part II West Africa; Chapter 9: Functional Arts: Theatre Praxis in Burkina Faso.
- Taiwo Afolabi; Chapter 10: Conversation: A Folktale-based community play as a model for stimulating Community development. - Isi Agboaye; Chapter 11: Geographies of Conflict: Resolving Farmer-Herdsmen Conflict through Street Theatre. - Alex C. Asigbo & Tochukwu J. Okeke; Chapter 12: Politics of/and Performance Spaces in Theatre of Social Action: Two Decades of Segun Adefila''s Crown Troupe of Africa. - Tunji Azeez; Chapter 13: Applied Performances in Burkina Faso: Methodological and Topographical Overview and Challenges. - Annette Bühler-Dietrich; Chapter 14: The Anglophone Problem in Cameroon: Participatory Theatre and Video Constructs. - Tume Fondzeyuf K.
;Part III South Asia; Introduction to Part III Framing the South Asian Discourse. - Syed Jamil Ahmed; Chapter 15: Queer Performativities in Contemporary Pakistan: A Genealogical Approach. - Fawzia Afzal-Kahn; Chapter 16: ''Of Stones, Songs, and Freedom: Languages of Resistance in Kashmir''. - Tanveer Ajsi; Chapter 17: ''Curfews of Thought''. - Ruwanthie de Chickera; Chapter 18: Towards a Pedagogic analysis of Dance and Movement Therapy - Urmimala Sarkar Munsi; Chapter 19: Street Theatre in Afghanistan: a Roundtable - Sadeq Naseri (chair); Chapter 20: A Conversation: The Third Tune ( Teesri Dhun ) - Claire Pamment et al.; Chapter 21: Shat Bhai Chompa: A Sociodrama in an urban slum of Dhaka City. - Ashfique Rizwan et al.; Chapter 22: Storytelling through Playback Theatre: Building a collective consciousness to promote social cohesion in Nepal.
- Nar Bahadur Saud; Chapter 23: Transforming Trauma in Post-Conflict Settings: Ethnographic Evidence from a Social Circus project in Afghanistan - Annika Schmeding; Chapter 24: Short essays;Part IV Arab World; Chapter 25: Empowerment, Capacity Building, and Freedom - Marina Barham and Amira Barham; Chapter 26: Street Theater in Tunisia:Fanni Raghman Anni(case study)-Seif Eddine Jlassi;Part V United Kingdom; Introduction to Part V: Performances of Age (UK)- Caiomhe McAvinchey; Chapter 27: Six Songs for Paul: How The Lawnmowers Independent Theatre Company transform experience into expertise. - Ali Campbell; Chapter 28: ''How I Learned to Stop Worrying and Love'': Staging relational care with Lois Weaver and Split Britches. - Jen Harvie; Chapter 29: Welcome to the Posh Club. - Ben Walters; Chapter 30: ''In the Company of Others: Enterlechy Arts, co-creating with older people. - Sue Mayo; Chapter 31: Magic Me: Interview with Chuck Blue Lowry, Kate Hodson, Susan Langford, Sue Mayo and Julian West. - Caiomhe McAvinchey; Chapter 32: Having dementia shouldn''t exclude you from cultural experiences: An Interview with Nicky Taylor, Theatre and Dementia Research Associate, Leeds Playhouse. - Caiomhe McAvinchey;Part VI South East Asia; Introduction to Part VI: South East Asia and China: performances of age - June Wee; Chapter 33: Putting Dialogue in Context: Negotiating Contextual Influence in Applying Dialogue Theatre. - Richard Barber & Pongjit Saphakhun; Chapter 34: Crisis of Representation of Afghan Culture: an analysis of Kaikavus andHeartbeat:Silence after the Explosion.
- Edmund Chow; Chapter 35: Glowing with Age - Peggy Ferroa; Chapter 36: Contemporary Issues and Challenges in Applying Performance: the case of theatre in education in Hong Kong. - Muriel Yuen-Fun Law; Chapter 37: Deceptive Simplicity - Michelle Ngu; Chapter 38: Rethinking the Research on Both Sides, Now : An Arts-Based Community Engagement Project on End-of-Life in Singapore. - Charlene Rajendran & Prue Wales; Chapter 39: Performances of ''what if'' and ''as if'': Exploring Plausible Futures through Imaginal and Vicarious Experiences in Playbuilding. - Jennifer Wong.