Roger Reeves conjures the losses--no, the thefts--at the root of the American story. Best Barbarian is a revelation and a form of reparation.--Tracy K. Smith Best Barbarians is a twenty-first-century masterpiece. Borrowing and turning on its head the Western canon's repeated warnings of civilization's fall, Roger Reeves counters that the apocalypse ran contiguously with the inception and height of Western civilization because the white man's rise was contingent upon the destruction of Black personhood. From that perspective, Reeves sees America as a necropolis to which he leads us--like Virgil--down into the underworld, where we meet the shades of Emmett Till, Oya, and Ezra Pound, among others. Best Barbarians is rich, intertextual, brilliant, and unforgettable.--Cathy Park Hong I cannot overstate the brilliance of Roger Reeves.

A sentence inside a Reeves poem is a score of breath; a scripture with texture and subtext; a tightrope of expansive, existential syntax. Best Barbarian is a monumental and elegiac tour de force. Peerless and unprecedented, it is one of the best books I've read in years.--Terrance Hayes From Grendel to Gilgamesh, Best Barbarian reviews and retells the most ancient of stories so that Roger Reeves can tell his own. The capaciousness of these elegiac poems, their Whitmanian need to hold and see it all, mirrors this speaker's need to be known fully as a black father, a man in love, a surviving citizen, a son to his mother, and an investigator of his father's whereabouts even after death. This book is an education on this history of the soul.--Jericho Brown Best Barbarian is a wide-ranging, capacious, and deeply felt meditation on ruptures, the violences enacted across time and space, where myth and history collide. Through dazzling riffs and leaps of imagination across linguistic registers, Roger Reeves offers an alchemy for repair.

The sheer musicality of the language--the way resilience and love sing--makes a once-broken thing even more beautiful.--Natasha Trethewey.