Shocking, challenging, spectacularly good.Head-on, unflinchingly, Giant confronts the vile antisemitism of one of the most beloved children's authors of all time, while sweeping along in its ferocious cross-currents of dialogue all the pitched battles of society today.what is so good about Rosenblatt's play is that it's so tightly focused, and so colossally universal. -- Evening Standard Astonishingly good. -- Financial Times Subtle, intelligent and stylishly crafted.lots of well-timed jokes, but again and again, the poison seeps through.the timing of this thoroughly absorbing play could hardly have been more apt. -- The Times Brilliant.
as dark and sharp-toothed as one of Dahl's fictive monsters.sophisticated writing that speaks directly to our times.shows a necessary bravery. This is exactly what theatre is for. -- Guardian Incendiary.a play that says things that many people may be thinking, but are too afraid to air in public. It's not simply about Dahl, it's about all of us. -- Daily Mail Startling.
one heck of a debut play--well-made and sturdy, exquisitely tense, and scrupulously fair. -- Time Out There can't be a more timely play on the London stage right now. Or better written. -- Mail on Sunday Extraordinary.finely written.rattlesnake-shocking. Giant is not fancy in form but its movement is intricate. One detailed argument gives rise to another, and the play is better for not resolving them all.
it rings chillingly true. -- Observer Fiery and incisive.Rosenblatt is admirably unafraid to plunge into fierce arguments.he tackles this thorny subject with the right mix of journalistic balance, insight and rightful condemnation. -- The Stage Simmering and tense.a memorable portrait of Dahl.Rosenblatt brilliantly captures his strident, baroquely florid voice. -- Independent Riveting.
devastating.does what good theatre can do better than any other setting, holding and exploring complex, contradictory views without oversimplification. -- WhatsOnStage Startling, feverish and prescient. -- Vogue Theatrical magic.blisteringly good.the real star here is Mark Rosenblatt's writing. So complex and rich in tone, it beautifully taps into a difficult subject and instils it with comedy in a way that never minimises the pain.exceptional.
just a phenomenal piece of theatre. -- All That Dazzles Blistering.a blast of a debut play. -- iNews.