"Written by one of the most distinguished ethnomusicologists working today and accompanied by an illustrative CD, Fiddler on the Move is a thoughtful, essay-like contemplation of klezmer music in contemporary US society and of its culture-historical background.Addressing music scholars and informed music lovers, Slobin synthesizes theoretical perspectives from which klezmer music may be studied and thus contributes to ethnomusicological method andtheory as well as to American and Jewish studies."--Choice"A beautifully written book on a timely topic.important for anyone interested in contemporary Jewish and American studies and current trends in ethnomusicology." --Notes"Well researched and rich in anecdotes.makes a compelling case for the importance of Klezmer in American musical and cultural studies." --Library Journal"Mark Slobin is probably the person best -placed to write about the klezmer revival. He has not only written extensively about Eastern European folk musics.

, but may have been the first Jewish ethnomusicologist to see that the klezmer revival was relevant to Jewish music and Jewish community.Here, Slobin puts the revival into a cultural and musical context that will be sheer delight to people engaged in playing the music, or wanting to understand thatcontext better.Slobin''s insights and breadth of understanding contribute to an enormously wonderful volume.this is the first book about klezmer music and about the klezmer revival that offers perspective and grounded historical fact.Once again, Mark Slobin writes the (so-far) definitive work.This is a book that was needed. Now I look forward to the next volume."--Ari Davidow, klezmershack.

com"Klezmer enthusiasts, musical history buffs, musicians, and music lovers will find this book a fascinating study of why klezmer music continues to pull in so many listeners."--International Musician"Fiddler on the Move is written in a style that is very accessible.Slobin is at once more understanding and more critical of the music''s past and its future. He cares about why people are called to klezmer, and how it functions in an age of world music.[The book] provides a rich sense of klezmer''s historical and cultural roots, of the meaning of the music in both the old and new worlds.[He] gives the reader a sense of the music as it isplayed, with a detailed look at how several players interpret a common tune.Slobin does a great job of describing.the impact of so much loss of material on our understanding of klezmer today.

This book will appeal to readers looking for insight into why klezmer pulls in so many listeners, [and] why it iswe--and so many others--have developed a love for this music at this time."--Kim Bates, The Green Man Review"Slobin''s metaphorical style and ease in writing soften the complex dialogue he creates between theoretical concerns and a diverse examination of klezmer. He has a knack for flowing in and out of specific lives and events as they relate to larger issues. This gives this book a textured yet comparative feel, a good example for how to go about doing ethnography."--Journal of American Folklore"Klezmer enthusiasts, musical history buffs, musicians, and music lovers will find this book a fascinating study of why klezmer music continues to pull in so many listeners."--International Musician"Written by one of the most distinguished ethnomusicologists working today and accompanied by an illustrative CD, Fiddler on the Move is a thoughtful, essay-like contemplation of klezmer music in contemporary US society and of its culture-historical background.Addressing music scholars and informed music lovers, Slobin synthesizes theoretical perspectives from which klezmer music may be studied and thus contributes to ethnomusicological method andtheory as well as to American and Jewish studies."--Choice"A beautifully written book on a timely topic.

important for anyone interested in contemporary Jewish and American studies and current trends in ethnomusicology." --Notes"Well researched and rich in anecdotes.makes a compelling case for the importance of Klezmer in American musical and cultural studies." --Library Journal"Mark Slobin is probably the person best -placed to write about the klezmer revival. He has not only written extensively about Eastern European folk musics., but may have been the first Jewish ethnomusicologist to see that the klezmer revival was relevant to Jewish music and Jewish community.Here, Slobin puts the revival into a cultural and musical context that will be sheer delight to people engaged in playing the music, or wanting to understand thatcontext better.Slobin''s insights and breadth of understanding contribute to an enormously wonderful volume.

this is the first book about klezmer music and about the klezmer revival that offers perspective and grounded historical fact.Once again, Mark Slobin writes the (so-far) definitive work.This is a book that was needed. Now I look forward to the next volume."--Ari Davidow, klezmershack.com"Fiddler on the Move is written in a style that is very accessible.Slobin is at once more understanding and more critical of the music''s past and its future. He cares about why people are called to klezmer, and how it functions in an age of world music.

[The book] provides a rich sense of klezmer''s historical and cultural roots, of the meaning of the music in both the old and new worlds.[He] gives the reader a sense of the music as it isplayed, with a detailed look at how several players interpret a common tune.Slobin does a great job of describing.the impact of so much loss of material on our understanding of klezmer today. This book will appeal to readers looking for insight into why klezmer pulls in so many listeners, [and] why it iswe--and so many others--have developed a love for this music at this time."--Kim Bates, The Green Man Review"Slobin''s metaphorical style and ease in writing soften the complex dialogue he creates between theoretical concerns and a diverse examination of klezmer. He has a knack for flowing in and out of specific lives and events as they relate to larger issues. This gives this book a textured yet comparative feel, a good example for how to go about doing ethnography.

"--Journal of American Folklore.